Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Thursday, 13 August 2026

Aug 13: The Belfast Fleadh

I've been reading about the Fleadh which has recently finished.

Belfast hosted the Comhaltas Fleadh Cheoil na hÉireann, the world’s biggest celebration of Irish music and culture, for the first time in 2026. 

The city welcomed 1.65 million people between Sunday 2 August to Sunday 9 August 2026, more than doubling the estimated 800,000 visitors.


Thursday, 16 July 2026

Jul 16: World Cup playlists #10: Country choices T - Z

The New York Times released a list of the country choices of music from the World Cup.

Here are a few samples:

Tunisia

Signature song: Sidi Mansour (DJ Nabil)

Warm-up: TIRI TIRI (JenJoon)


Goal music: Sidi Mansour (DJ Nabil)

Post-match: Grinta (Si Lemhaf)

Turkey

Signature song: Ceddin Deden (Mehter); Bir Oluruz Yolunda (Tarkan)


Warm-up: Adımız (Murda & Mero); Turkiyem (Mustafa Yıldızdogan); Plevne (CVRTOON)

Goal music: Bir Oluruz Yolunda (Tarkan)

Post-match: Memleketim (Ayten Alpman)

USA

Signature song: Won’t Stop (Safari Riot Trailer Remix)

Warm-up: TV Off (Kendrick Lamar); X Gon’ Give It to Ya (DMX); Ruff Ryders’ Anthem (DMX)

Goal music: Free Bird (Lynyrd Skynyrd); Seven Nation Army (The White Stripes)


Post-match: The Show Goes On (Lupe Fiasco); Win (Jay Rock)

Uruguay

Signature song: Cielo de un Solo Color (No Te Va Gustar); Mi Seleccion (Jotape)

Warm-up: Descolgando el Cielo (Enzo y la Sub 21); Sangre Charrua (Catherine Vergnes & Vanesa Britos)

Goal music: Cielo de un Solo Color (No Te Va Gustar)

Post-match: Cielo de un Solo Color (No Te Va Gustar)

Uzbekistan

Signature song: Ulugimsan (Sevara Nazarkhan); Mendirman (Ozodbek Nazarbekov)

Warm-up: Mendirman (Ozodbek Nazarbekov); O’zbegim (Shoxrux)

Goal music: Yor Yor (King Macarella & Aleesher); O’zbegim (Shoxrux)

Post-match: Topnitep (DJ Piligrim)

Tuesday, 14 July 2026

Jul 14: World Cup playlists #8: Country choices M - P

The New York Times released a list of the country choices of music from the World Cup.

Here are a few samples:

Mexico

Signature song: El Rey (Vicente Fernández); Un Solo Corazon (Grupo Frontera); Cielito Lindo (Mariachi Vargas); Esto es Mexico (CORAY)

Warm-up: El Sonidito (Hechizeros); La Chona (Los Tucanes de Tijuana); Esto es Mexico (CORAY)

Goal music: El Son de la Negra (Mariachi Vargas)



Post-match: El Rey (Vicente Fernandez); El Mariachi Loco (Mariachi Vargas); Mexico en la Piel (Luis Miguel)

Morocco

Signature song: Dirou Niyya (RedOne); Mgharba (Asma Lmnawar)

Warm-up: Maghribi Maghribi (RedOne)

Goal music: Dirou Niyya (Official Moroccan Fan Chant) (RedOne) 



Netherlands

Signature song: We’re All Gonna Make It (Jonna Fraser x $hirak)

Warm-up: Freed from Desire (Gala); Back Once Again (Stefane); Links Rechts (Snollebollekes); Still D.R.E. (feat. Snoop Dogg) (Dr. Dre)



Post-match: Wij Houden van Oranje (Andre Hazes); All the Stars (Kendrick Lamar & SZA)

New Zealand


Signature song: I AM (Stan Walker); Wandering Eye (Fat Freddy’s Drop)



Warm-up: Runnin’ (David Dallas); Aotearoa (feat. Ria Hall, Troy Kingi & Maisey Rika) (Stan Walker); Narco (Blasterjaxx & Timmy Trumpet)

Goal music: Slice of Heaven (Dave Dobbyn)

Post-match: Fade Away (Che- Fu); Sun Goes Down (Nesian Mystik)

Norway

Signature song: Alt for Norge (Drillos) - with English translation.


Warm-up: Bønda 2026 (Racer); Levva Livet (Age Aleksandersen); Optimist (Jahn Teigen)

Goal music: Bønda 2026 (Racer)


Post-match: Alt for Norge (Drillos); Henda mot Himmelen (Madelene)

Panama

Signature song: Patria (Ruben Blades)

Warm-up: Ya Ya (Boza); Sube la Marea Remix (Gaitanes)

Goal music: La Papuja (Victorio Vergara); Papa Chan (Jingle Marea Roja)

Post-match: Patria (Ruben Blades)

Paraguay

Signature song: Soy Albirrojo (Los Albirrojos)

Warm-up: El Sapukai (Tierra Adentro)

Goal music: Albirroja Campeon (Rolando Chaparro)

Post-match: Vamos Albirro (Sangre Albirrojo); Fiesta Patronal (Tierra Adentro)

Portugal

Signature song: Tuga ou Nada (Sir Scratch, Gson, Bispo & Papillon)


Warm-up: Tuga ou Nada (Sir Scratch, Gson, Bispo & Papillon); De Portugal Eu Sou (Karetus)

Goal music: Tuga ou Nada (Sir Scratch, Gson, Bispo & Papillon)

Post-match: A Minha Casinha (Xutos & Pontapes)


Monday, 13 July 2026

Jul 13: World Cup playlists #7: Country choices H - J

The New York Times released a list of the country choices of music from the World Cup.

Here are a few samples: 

Haiti

Signature song: Toup Pou Yo (Barikad Crew); Dekole (J Perry feat. Shabba Izolan)

Warm-up: Ke M Pa Sote (Boukman Eksperyans); Pepeye (Boukman Eksperyans)

Goal music: Alaso (Rockfam); Kool Non (King Posse)


Post-match: Lobey sou Lobèy (Team Lobey); 4 Kampe (Joe Dwet File)

Iran


Signature song: Teammelli (Parvaz Homay)


Lyrics of the national team anthem: 

O my soul, my soul, my body O my boundless love, my homeland In every dress, nation, and language O your eternity, my speech Promotions Iran, Iran Your eternal name We are lovers of your soil We are drunk on the wine of your vine Wherever your name is mentioned, We are soldiers of your pure soil Iran, Iran Your eternal name O the land of Rostam and the lions O the monument of the brave generation The eternal sun of the world The enduring name of Iran

Warm-up: Teammelli (Parvaz Homay)

Goal music: Teammelli (Parvaz Homay)

Post-match: Teammelli (Parvaz Homay)

Iraq


Signature song: Aash Al Iraq (Rahma Riad); El Basrah Deratkom (Hussam Alrassam); Nashhad An La (Nasrat Al Bader Salem); Annan Iraqi (Hamza Al Mhamadawi); Hassouni (Mohamed Al Mddlool); Iraqi Hala Ya Saab (Hussam Alrassam); Farht Shah (Hosam Kamel)


Japan

Signature song: Syouri No Emi Wo Kimi To (Ukasuka-G)

Goal music: Syouri No Emi Wo Kimi To (Ukasuka-G)

Post-match: KESHIKI (JI Blue, JO1 & INI)

Jordan


Signature song: Ennashama Official Tournament Song (JFA Music)

Warm-up: Hez Almalaab (Omar Alabdallat); Min Hon (165 Entertainment)

Goal music: Al Nashama (JFA Music)


Post-match: Al Nashama (JFA Music); Hena Al Orduniyeen (Omar Alabdallat); Watani Mix (Omar Alabdallat)

Sunday, 12 July 2026

Jul 12: World Cup playlists #6: Country Choices E - G

The New York Times released a list of the country choices of music from the World Cup.

Here are a few samples:

Ecuador

Signature song: Quiero Amanecer Sonando (Papa Chango); Yo Naci Aqui (Juan Fernando Velasco)

Warm-up: Vamos Ecuador Siempre Contigo (Jose Victoria); La Tri (Jombriel, Javier Neira & Jotta)

Goal music: Si Se Puede (Damiano); Quiero Amanecer Sonando (Papa Chango)


Post-match: Vuelvo a Nacer en Ecuador (Javier Neira); Nuestro Juramento (Julio Jaramillo)

Egypt

Signature song: Ya Habibty Ya Masr (Shadya)

Warm-up: Ana Ebn Masr (Mahmoud El Esseily, Moustafa Hagag & Medhat Saleh); Shagaa Mn Albak; Ya Habebty Ya Masr (Shadya)

Goal music: Ya Masr Btemlyha Ezay (Bahaa Sultan); Wala W Amalouha El Regala (Hamada Helal)

Post-match: Matkhafoosh Ala Masr (Hussain Al Jassmi); Boshret Kheir (Hussain Al Jassmi)

England

Signature song: Sweet Caroline (Neil Diamond)

Warm-up: Vindaloo (Fat Les); Angels (Robbie Williams); With a Little Help From My Friends (The Beatles)

Goal music: Chase the Sun (Planet Funk)

Post-match: Sweet Caroline (Neil Diamond); Three Lions (Baddiel, Skinner & The Lightning Seeds)

France

Signature song: Emmenez-moi (Charles Aznavour); Le Chasseur (Michel Delpech)

Warm-up: Pile (Gospel Version) (Mauvais Djo); Melodrama (Jordan Patrol); D.A.N.C.E. (Justice)

Goal music: One More Time (Daft Punk)

Post-match: Freed From Desire (Gala); Magic in the Air (Magic System)


Germany

Signature song: Zeit, Dass Sich Was Dreht ($oho Bani, Herbert Grönemeyer & Ericson)

Warm-up: Kernkraft 400 (Zombie Nation)

Goal music: Major Tom (Peter Schilling)


Post-match: Tage wie diese (Die Toten Hosen); Der Zug hat keine Bremse (Mia Julia, Malle Anja & Lorenz Buffel)

Ghana

Signature song: Kakalika (DopeNation); Ntem Ntem (King Promise)

Warm-up: Ghana Black Stars (2006 World Cup) (Obaayaa Grace Ashly); Gidi Gidi (Fire) (Stonebwoy); STREET CROWN (African Dancehall) (Shatta Wale)

Goal music: Kakalika (DopeNation)

Post-match: Dem Confuse (Shatta Wale); Oofeets (Sarkodie & Prince Bright)

Wednesday, 8 July 2026

Jul 8: Seen and herd

That was the punny title of an article in The Guardian at the weekend.

It described the music of the Maasai and Samburu.

This is being shared more widely than it would previously have been using social media.

In the past, a visit in person would have been needed to hear these songs.

Here's an early example that was mentioned in the piece.



A new generation of musicians is wielding unprecedented cultural power, updating traditional patterns and reclaiming a sense of pride in symbolic spaces.


“Music always played a central role in retaining Maasai history,” says Meitamei Ole Dapash, a Maasai leader and activist. “Not only as expression, but as a living archive of identity, memory and social relations. In school, we are taught everything but our own culture. Thanks to the rise of our local artists, we now witness a true cultural renaissance.”


Others set out to convince estranged members of the community of the benefits of semi-nomadic rural life, like Kamurar Maasai in his song Osingolio Loongishu.If we don’t update our roots, our songs will be forgotten and the community will forget about their customsNg’otiek Nelson

“Since I started singing songs on modern beats concerning cows, a lot of Maasai are coming back to their culture. The song compels them to find their way home and get their own cows,” he says.

The spiritual meaning of cattle is rooted in the Maasai origin story, as the animals are said to have arrived on Earth from the heavens alongside the first humans.



This song talks about cows and urging the young generation - the person who takes his time to watch this song - to go and find and find for himself. The song belongs to ilmerishi age set and their chief is ole Naing'isa and another one called ole Leintoi.

And here's a final song mentioned in the piece: Ng'otiek Nelson.


In the Maasai land, where savannas roam.
Warriors rise with the sun's warm tone 
Adorned in red, they dance with pride  
Their culture beats, like the wildebeest stride.
With songs of old, they tell their tale 
Cattle wealth, and the land they hail ️

Jumping high, in a warrior's leap  

Their spirit lives, in every step 
Long live Kakangu

Tuesday, 2 June 2026

Jun 2: The Music is Black

As featured on 'The One Show' earlier today.

A new exhibition at V&A East which I shall have to try to get to befor the end of the year.

Details here.


From the exhibition guide.

Music reflects and feeds emotions. It inspires, comforts, offends and entertains. Music awakens memory and punctuates our present. The Music is Black: A British Story traces the roots and routes of music that has descended from African musical practices and gone on to influence and transform British identity over the past 125 years. It explores where Black music in Britain since 1900 has come from - tracking an ever-evolving sound shaped by British colonialism, transatlantic enslavement and voluntary migration. From lovers rock and Brit funk, to 2 Tone, jungle and grime, this exhibition reveals the creation of British­born Black music genres and how they have impacted lives across the country and beyond - how we speak, dress and view the world. The Music is Black is a story of Black struggle, resilience, creativity and joy. It is a story of us all.

Someone has made a playlist on Spotify.


Here's Channel 4 news.

Tuesday, 5 May 2026

May 5: Music related CPD - John Wilkinson and Miranda Sawyer

I mentioned earlier in the blog that John Wilkinson was a key inspiration in the development of this blog, and he has now developed a new online PTI course which may be of interest.

This online course will explore how Britpop can be used as a lens to examine the socio-economic, political, and cultural landscape of 1990s Britain. It will consider how music reflects identity, lived experience, and sense of place, while addressing the challenge of maintaining academic rigour when using music in Geography.

Participants will learn how to use music as a focused and effective stimulus for discussion, grounded in the cultural zeitgeist of the 1990s, and aligned with the Key Stage 5 Changing Places curriculum.

Aims of the course:
  • Apply the nexus of music, sport and politics to explore the socio-economic, political and cultural landscape of 1990s Britain
  • Examine how Britpop reflects cultural identity, lived experience, and sense of place
This course is for:
  • Teachers delivering Changing Places at Key Stage 5
  • Teachers seeking to enrich their teaching of place, identity and cultural geography
  • Teachers interested in using cultural material (e.g. music) to deepen geographical thinking
The guest speaker is Miranda Sawyer. Miranda is an English journalist and broadcaster. Besides her features and radio criticism for the ‘Observer’, her writing has appeared in ‘GQ’, ‘Vogue’ and the ‘Guardian’. She is a regular arts critic in print, on television and on radio. She broadcasts on Radio 4 and for The Culture Show (BBC TV) and was the host of the popular podcast, Papercut. She is on the board of Tate Members, the South London Gallery and Sound Women. 

Her latest book, Uncommon People, was published in 2024.

It's a good book. I got it out of the library and a review is forthcoming in a future post.


Free for PTI Unlimited schools & PTI member departments. Just £20+VAT for non-members.

Thursday, 30 April 2026

Apr 30: Music Murals

Some cities are known for their street art. This can sometimes be based on local musical icons, including those who have passed away - acting as a memorial perhaps, or a reminder of their influence.


Image: Alan Parkinson - just off Brick Lane, shared on Flickr under CC license

There are several sites which post these, including on Instagram.

Birmingham has its fair share of murals linked with Black Sabbath.

Sheffield has Jarvis Cocker on the side of the Fat Cat in Kelham Island.

Please share any musical murals from your own home area.

Add them to the Google Form here.


Update

Thanks very much to Briley Habib for sending me the following image.


Image: Briley Habib

She says that the image can be found at Barranco, Lima, Peru. It is located at a bridge in an area popular with buskers, and the mural explores Afro-Peruano music.



Monday, 20 April 2026

Apr 20: Mari Boine

Back in the 1990s when Real World records was originally founded by Peter Gabriel almost every album they released was a banger.

Gula Gula was an album which introduced many, including me, to the voice of Mari Boine (Persen).

The album cover was particularly striking. I bought it from Virgin Records in Sheffield - which was excellent...

Mari Boine is a Sami.

The Sami or Sapmi are people who live in territories which are crossed by the borders between Russia, Norway, Sweden and Finland. 

Also check out her vocals on a fantastic piece of music by Jan Garbarek, who will appear quite a lot on this blog across the year.

This is called Aftenlandet ('Evening Land') and is the final track on the album 'Visible World' which came out in 199

This video was apparently made for the Winter Olympics.

 
AFTENLANDET (the Evening Land) by Erik Poppe. (1994) Music by Jan Garbarek and Mari Boine. from Erik Poppe on Vimeo.
Made by comission for NRK and the Winter Olympics in 1994. Scripted and directed by Erik Poppe. 

Music written and performed by Jan Garbarek and Mari Boine.

A particular powerful song is Duinne.

The song Duinne by Mari Boine is sung in Sami, the language spoken by the Sami people, the indigenous people of northern Norway, Sweden, Finland, and Russia. The lyrics are about the connection between the land and the people who live on it. It describes the deep connection that the singer has with the land, and how it has shaped her identity. 
She sings about the mountains, the rivers, and the sky, and how they have influenced her life in many ways.



Monday, 13 April 2026

Apr 13: Elfstedentocht

Public Service Broadcasting have appeared elsewhere on the blog as they have a range of songs with a geographical angle to them.

The Elfstedentocht is an ice-skating race which takes place in the Netherlands.

It is only possible in the harshest of winters, and cannot take place every year. This is similar to the Fenland skating which can only take place on flooded fields in the Fens when conditions permit, and has become less common as winters are warming.

This race is fairly brutal and a long distance classic - comparable to some of the one day classics in road race cycling such as Paris-Roubaix.

Here's a map of the route - joining up eleven towns.

And here's a video of the two parts of the track by Public Service Broadcasting.

Part 1


Part 2


Contains footage (C) Fries Film Archief. Used with kind permission. 
Written and produced by Public Service Broadcasting. 
Drums recorded by Gregor Reid at Fonica Studios, Glasgow.

And the translation of the voice over on the track.

Newspaper: 
Eleven Cities Tour on Friday 
Newspaper: 
Eleven Cities Tour to be a superhuman effort 
January 18th, 1963 
An ice-skating marathon that is unparalleled 
5.30 in the morning 300km through a Friesland only the strongest can cope with 

Newspaper: 
Elfstedentocht: Tough, Tough, Tough 

The starting signal is given for the Eleven Cities Tour 
But what everyone is preparing themselves for.
That is the Elfstedentocht 
The twelfth Eleven Cities Tour 
Temperature: 16 degrees Celsius below zero 
A brutal tour of more than 200km 
But what everyone is preparing themselves for... 
550 professional skaters 
Around 9,500 leisure skaters 
Skaters from Sweden, Canada, Switzerland and Belgium 
But what everyone is preparing themselves for... 
Sneek. IJlst. Sloten. Stavoren. Hindeloopen. Workum. Bolsward. Harlingen. Franeker. Dokkum. Leeuwarden. 

But what everyone is preparing themselves for... That is the Elfstedentocht." 

J. Willgoose, Esq. and Wrigglesworth sample old public information films and archive material and set them to new music. Live, the films are screened simultaneously as laptops are fiddled with, drums are pounded, theremins are wafted at, guitars are bashed and banjos furiously plucked. 

Teaching the lessons of the past through the music of the future.

Monday, 6 April 2026

Apr 6: Film Soundtracks #4: Amelie

In my top five films is a film by the director Jean-Pierre Jeunet.

It's the delightful film 'Amélie' or Le Fabuleux Destin d'Amélie Poulain. It was made by Jean-Pierre Jeunet, who had previously made several other films which I also loved. It evokes a particular area of Paris particularly well, around Montmartre - I visited a few of the locations when on a recent visit to Paris, including the 2 Windmills restaurant where scenes were shot.

I saw the film for the first time at the Showroom cinema in Sheffield: an arts cinema where I saw many films at the time.

Amelie's soundtrack was composed by the musician Yann Tiersen. I saw Yann play live at the Barbican last year and also attended a Q&A session before the concert started.

I was due to head down to the Royal Festival Hall in June for a special screening of the film accompanied by an orchestra.

However, it was cancelled in March - probably due to a rights issue. Hopefully it will eventually happen.

There are some classic accordion-led pieces on the soundtrack album.


Check out this Behance film poster.


What are your favourite film soundtracks?




Sunday, 5 April 2026

Apr 5: National Recording Registry

The USA has a National Recording Registry.

This registry has a collection of recordings which are felt to be culturally significant



This is worth looking at to see what musical acts have been chosen... it's a very eclectic mix...

Tuesday, 31 March 2026

Mar 31: Deutschland

This track is by the German rock band Rammstein, known for their massively over the top stage shows.

Their 2019 track, which marked their comeback after ten years of no new music, was accompanied by a nine minute video which takes a bit of explaining. There were also some band controversies. 

Warning: the video contains some violent imagery and the links contain a few rude words


It is a history of Germany, starting in Germania Magna in 16 AD according to the caption.

More details on the imagery in the video in the Wikipedia article above.

The lengthy music video sparked controversy; its dark, violent, and macabre style—typical of the band's aesthetic—features various events from German history, including Roman times, the Battle of the Teutoburg Forest, the Middle Ages, witch hunting, the November Revolution, the Golden Twenties, Nazi book burnings, the Hindenburg disaster, the First and Second World Wars, the Holocaust, the Weimar Republic, the Red Army Faction, and the division of the country into West and East Germany; it also features science fiction scenes set in outer space, cannibalism in which people eat Germania, the personification of Germany, and a bank robbery featuring lead singer Till Lindemann crossdressing as Ulrike Meinhof. The Afro-German actress Ruby Commey appears as Germania throughout the video.

If you get the chance to see a live performance, take it...

Thursday, 5 March 2026

Mar 5: Jarvis and Sheffield

Jarvis Cocker has a close connection with the city of Sheffield, as we discovered on the 1st of March.

He has talked and written at length about this connection.

Carl Lee will also share a blog on Jarvis and his Sheffield connections from his own perspective as someone who has lived in the city for a great deal longer than me.

Image: Alan Parkinson - Fat Cat, Kelham Island

An interesting tipoff from a Joanne Lee post.

This track starts with a list of familiar Sheffield locations:

Intake, Manor Park, The Wicker, Norton, Freshville Hackenthorpe, Shalesmoor, Wombwell, Catcliffe Brincliffe, Attercliffe, Ecclesall, Woodhouse, Wybourn, Pitsmoor, Badger, Wincobank, Crookes, Walkley Broomhill

Sheffield Sex City's lyrics continue, later on in the song, describing sitting on a hill overlooking the city:

And listen, I wandered the streets the whole night crying, trying to pick up your scent
Writing messages on walls and the puddles of rain reflected your face in my eyes.
We finally made it on a hill-top at four a.m.
The whole city is your jewellery-box; a million twinkling yellow street lights.

Here's the track in question:

More musical urbanism also comes from this story from a few years ago which has featured on LivingGeography.

Jarvis Cocker got a mention on the recent AQA 'A' level Geography exam.



When Jarvis Cocker wrote his lyrics for the Pulp song Wickerman, he was inspired by a real-life journey he undertook through the subterranean rivers in the middle of his home city of Sheffield.

And now the evocative verses’ local references – from mentions of Sheffield places The Wicker, Forge Dam, The Moor, Broomhall and The Leadmill to ‘Little Mesters coughing their lungs up’ and ‘the old Trebor factory that burned down in the early seventies’ – mean the composition has been deemed worthy of academic study.


Wickerman formed the basis of a question posed to students sitting exam board AQA’s Geography A-level Paper 2, on Human Geography.

Candidates were shown 13 lines from the song – an eight-minute, part-spoken word epic which featured on We Love Life, Pulp’s final studio album to date, released in 2001 – before being asked to compose a response to a specific brief.

Stacey Hill, head of curriculum for geography at AQA, said: 

“The question was on how external factors such as art can influence a person’s perception of a place, as opposed to how a local person – in this case someone from Sheffield – might feel about their surroundings. The reason we chose the Pulp lyrics was because they fit the purpose for this type of question very well.”


Saturday, 28 February 2026

Tuesday, 24 February 2026

Feb 24: The Global Jukebox #1

From this globe come voices from every region of human migration and settlement. They attest to the many ways of life we humans have carved from our earthly and social landscapes. Their songs have great feeling, meaning and power. In them, we find our ancestors, our families, and ourselves.

You can enter as a guest.

Pick Explore the World and you will be taken to a globe with circles. 

Click a circle to engage with cultures from around the world.


e.g. Cape Verde