Showing posts with label Def Leppard. Show all posts
Showing posts with label Def Leppard. Show all posts

Sunday, 17 May 2026

May 17: 'Groovy, Laid back and Nasty'

The new book by journalist and writer Daniel Dylan Wray explores the history of independent music in Sheffield.

In today's 'Sunday Times' he shared a tour of some key locations in the city of Sheffield.

There are some familiar stories here. I watched a lot of bands play at the Grapes - not the Arctic Monkeys though. 

Here's a feature on BBC Radio Sheffield.

Details of the book can be found here from the publisher.: White Rabbit Books.



Daniel Dylan Wray traces nearly seven decades of Sheffield’s independent music in Groovy, Laidback and Nasty, a sweeping account of a city whose creativity has always thrived on the margins. From electronic futurism and post-punk to pop, metal, bassline and bleep techno, Sheffield has consistently produced era-defining sounds shaped by isolation, economic struggle and a fierce DIY ethos.

The book explores how this understated city became home to visionaries who reshaped British music. Drawing on more than 150 interviews with figures including Pulp, Arctic Monkeys, The Human League, Cabaret Voltaire, Self Esteem and Richard Hawley, Wray builds a rich portrait of scenes that evolved through determination rather than civic swagger.

Positioning Sheffield alongside – and often ahead of – more documented UK music hubs, Wray offers both cultural history and a heartfelt tribute to the people who forged the city’s singular sound. As a writer embedded in Sheffield’s creative community for over two decades, he brings rare insight to a story that has long deserved this depth of attention.

Groovy, Laidback and Nasty stands as the definitive celebration of Sheffield’s independent musical legacy.

Saturday, 4 April 2026

Apr 4: Guest blogger John Medd #1: Lost Venues

If you have been following the development of the blog - thank you - you will have seen that I've been welcoming guest posts from people sharing their own musical memories. Carl Lee has already provided me with a wide range of posts and more are scheduled in for the months ahead. Several other people have also promised me a post.

This is the first guest post by John Medd, who has kindly sent me some thoughts on some of the music venues we have lost over the years (and continue to lose on a monthly basis).

Imagine a time when there were no arena gigs. Imagine a time when the only way to buy a ticket for a gig was to go to the box office. And imagine a time when town halls, ‘the college circuit’ and Top Rank ballrooms accounted for almost half the country’s music venues. Welcome to the 70s (& 80s).

When a band went on tour 50 years ago they jumped in the van, got the road atlas out and set off in the direction of the nearest transport caff. Or, more latterly, a Little Chef. They would then traverse Blighty’s highways and byways – maybe picking up the odd hitchhiker on the way – and, in no particular order, hope and pray the van wouldn’t break down, that there’d be more than one man and a dog turn up to see them and, at the end of the night, the promoter would pay them. Actually, in respect of those last three bullet points I don’t think an awful lot has changed between then and now.

But all of the above was contingent on the band finding both a venue that wanted to put them on in the first place and also had a budget to pay them. 

One group of venues that provided bookings were the Student Unions in Universities and Polytechnics around the country.

However, that’s another story for another day.

Today’s blog post is all about the venues that were once the backbone of any tour but have since withered on the vine: venues that got repurposed, reimagined or, most likely, razed to the ground. 

As my point of reference, I dug out one of my old scrapbooks (remember them?) and found some bygone tour dates for an up and coming band called Girl
They were managed by Don Arden (infamous father of Sharon Osbourne) and signed to the Jet record label

In 1980 the glam five piece had put out a couple of singles and just released their debut album 'Sheer Greed'. 

They’d already supported some big hitters and in April/May were embarking on their first serious UK jaunt as headliners. (Within two years they’d split up; their guitarist Phil Collen jumped ship to Def Leppard - where he remains to this day. Phil Lewis their flamboyant singer – who at the time was dating Britt Eckland – is now the frontman with LA Guns.

But let’s go back and see where they went in that Spring of 1980. and what has happened to those venues since.

The Marquee Club, Soho – for a London band the Marquee would have made a great homecoming/end of tour gig, but Girl decided to kick things off there. The club, which had moved from Oxford Street in 1964 to the location most people remember on Wardour Street, shut its doors for the last time in 1988 after it was deemed unsafe (they blamed a quarter of a century of noise vibration!). It’s now prime West London real estate in the guise of Soho Lofts and a poncy restaurant. I knew the club well and still miss it dearly.

Then off to Wales and the Troubadour Club in Port Talbot - a basement dive under the Aberafan Shopping Centre. In 2024 after being frozen in time for more than 30 years, they fumigated it and opened it again very briefly for a photographic exhibition featuring many images of the club taken in its heyday.

Malvern Winter Gardens – shut in 1990

St. Albans City Hall – now the Alban Arena.

Leeds Fforde Grene – A pub gig! Alas, it closed in 2004 and is now an ethnic supermarket.

Middlesborough's Rock Garden – in a four-year window it was an intimate little rock club home to punks and rockers alike. It closed later the same year.

Retford Porterhouse – I was there! Home of AC/DC’s first UK gig in 1976 – the owners shut up shop in 1980 and went on to open Rock City in Nottingham – a club I still frequent.

Cheltenham Town Hall – still open.

Blackpool Norbreck Castle Hotel – still open.

Sheffield Top Rank – now the O2 Academy albeit it’s been closed for the last couple of years due to the RAAC concrete scare.

The Boat Club, Nottingham – still open. Led Zeppelin played there. My son’s band Trippin’ Over Wah played there!

Bristol Locarno – from 1961-1998 it was a hotbed for live music. People still talk about Bowie’s gig there in ’72 with The Spiders. Owned by Mecca it was demolished in the late 90s with the O2 now sitting on part of the old site.

Cardiff Top Rank - from 1963-1982 it played host to everyone from The Beatles to U2. Demolished in 2005.

High Wycombe Town Hall – still open.

Newcastle Mayfair – a 1500 capacity ballroom built in 1961. All the great and good played here (The Who, Pink Floyd, The Clash). It was demolished in 1999.

Bradford University – still open.

Exeter Routes – now a Pentecostal Church.

Gravesend Woodville Hall – still open.

Manchester Polytechnic – the campus at Cavendish House was closed in 1982.

Glasgow College of Technology – now Glasgow Caledonian University – no longer a live music venue.

Aberdeen University – the Gallowgate campus was demolished in 2002.

Dundee University – no longer a live music venue.

St Andrew’s University – still open.

Cleethorpes Winter Gardens – a venue whose name alone conjures up a period in time that’s long gone. Roxy Music, Free, the Sex Pistols; they all trod the boards there. It was also a renowned Northern Soul meet up. But the wrecking ball came a callin’ in 2007.

Wakefield Unity Hall – still open.

Abertillery Metropol Theatre - still open.

Folkstone Leas Cliff Hall - still open.

Rickmansworth Civic Hall – still open.

Dunstable Queensway – demolished in 2000.

West Runton Pavilion - a legendary coastal venue. I know Alan wants to say a few words about this place but I feel honoured to have been there before it was razed to the ground in 1986. 

So, of the 30 venues that Girl played on that tour, only 12 remain. 
60% of the venues have gone.
Forever. 

And with the odd exception (I’m thinking of The Marquee), you won’t even find a blue plaque where these proud clubs once stood. 
As someone who is passionate about live music and psychogeography this is a double blow. The erosion of culture and architecture is something we should all be worried about, not just musicians. With pubs too closing at an alarming rate, the number of venues available to up-and-coming bands is forever dwindling. 
The message couldn’t be clearer – support live music!

John Medd

John Medd is a blogger and photographer with an unhealthy obsession with the 1970s. When not writing about The Sweet over at Are We There Yet? he can be found taking photographs of puddles.

Thanks very much to John. 
I shall indeed be saying something about West Runton Club and am going to pay a visit to the site in a few week's time as there's an event I'm speaking at in the neighbourhood.... then I'll finish my piece on the venue.

Sunday, 1 March 2026

Mar 1: Cities and Music #1: Sheffield

"Sheffield's my city, it's where I grew up, and although I've moved away for now, I'd like to try and show you around. Sorry if we get lost, it changes every time I come here."
Jarvis Cocker

I'll have to start this set of posts on musical cities by looking at Sheffield, my home city - Rotherham being my home town. Both have some musical connections and bands who were born there or met there, or recorded their albums there... or a combination of those.

At the GA Conference in Sheffield some years ago, I made a Cultural Geography diagram using Mentimeter of Sheffield for a session I was presenting, and this was the outcome from the people who were at the session, suggesting some cultural connections with the city (not all of which were musical) and a really good range of bands.

Who are the people mentioned?
They include:
  • Def Leppard
  • Human League
  • Richard Hawley
  • Arctic Monkeys
  • Heaven 17
  • Jarvis Cocker / Pulp
  • Cabaret Voltaire
  • Everly Pregnant Brothers
  • Joe Cocker
  • ABC
  • Self Esteem
  • Bring me the Horizon

And here are songs which mention Sheffield. - although the endless pop-ups make it unreadable.

Pulp played their first gig at Rotherham Arts Centre - somewhere I used to visit regularly as it was inside the Public Library (now sadly demolished to make way for a large Tesco...) to borrow records in the days before streaming and when I couldn't afford to buy LPs all the time.

There's an academic paper that you can read here which explores the origins of the musical styles in 'Steel City'...  It does a good job of delving into the musical heritage of the city and the influence of its location and steel-making heritage. The paper is accessible and readable and has lots of interest.

John Schofield & Ron Wright (2021): Sonic Heritage, Identity and Musicmaking in Sheffield, “Steel City”, Heritage & Society, DOI: 10.1080/2159032X.2021.1968227 


I'll be sharing more insights from this paper in other blog posts. I've previously talked about the importance of geographers reading out of field research to help inform their own work.

I'll be back in Sheffield at the GA Conference to share this blog too... perhaps see you there?

So how about my own musical experiences and memories of Sheffield?

There are a number of music venues which stand out.

One of them was the Leadmill which was closed in 2025, and all signs of it removed hastily. I wasn't one of those who saw Nirvana there sadly.
I did however see Davy Spillane and band there, which was excellent, and also Ivo Papasov and his Bulgarian Wedding Band... check them out.

I saw a lot of folk concerts at the Grapes, including Dick Gaughan - of which more elsewhere on the blog.

The City Hall was the venue I perhaps visited the most - seeing all sorts of classic bands there including rock bands, many of whom are no longer around.
My first concert was at the City Hall. More on that in an early post and with more to come.
There were also bands such as Tangerine Dream, Thin Lizzy, Tori Amos, Def Leppard, Clannad and many more.

The Octagon centre was a venue run by the University, and there were some other concerts in the University Union itself, including several with Roy Harper. 

On the edge of the city, close to the World Student Games stadium (where I saw U2 - of which more elsewhere on the blog) was the Sheffield Arena: a reasonable arena acoustically. I saw Peter Gabriel and Rush there on several tours, and also Riverdance.

More on all of those at some stage in the blog.

The city's library archive shared this useful summary:

Sheffield is the home of many well-known bands and musicians including a large number of synth pop and electronic groups such as the Human League, Heaven 17, ABC and Cabaret Voltaire. The pioneering independent record label Warp Records, founded in Sheffield in 1989, has become one of the UK’s most respected dance music labels. Artists such as Pulp, Def Leppard, Joe Cocker, Richard Hawley, Milburn, The Longpigs and Moloko along with many other popular and alternative musicians were born in Sheffield. More recently several indie bands, including Arctic Monkeys and The Long Blondes, have emerged from the city as part of the NME-coined phrase: the New Yorkshire Movement.

Here's Jarvis Cocker's "musical tour of Sheffield"


And here's the Everly Pregnant Brothers' 'You're Yorkshire'...


They also did an excellent song about the 69 bus between Rotherham and Sheffield.
The 69 to Rovvrum


I love the litany of place names near the start which charts the route of the bus.

Pond Street
Darnall
Attercliffe
Brightside
Tinsley
Templeborough
Canklow

This is a bus I used to catch frequently - to and from Sheffield for a night out. We generally headed for the Fat Cat, or the Frog and Parrot, or somewhere along West St. The alternative was the 287, which connected to Wickersley where I grew up.

There were also classic nightclubs like the 'Wap' (the Wapentake - the name for an early division of Yorkshire.

Via Wikipedia.

A wapentake, an Old Norse–derived term as common in Northern England, was the equivalent of the Anglo-Saxon hundred in the northern Danelaw. In the Domesday Book the term is used instead of hundreds in Yorkshire, the Five Boroughs of Derby, Leicester, Lincoln, Nottingham and Stamford, and also sometimes in Northamptonshire. The laws in wapentakes were similar to those in hundreds with minor variations.

A recent band to come through to huge status is Bring me the Horizon. More on those in a future post as well.

Finally, I hope you've been following a whole sequence of guest blog posts from Carl Lee, many of which are firmly grounded in the geography of Sheffield. Check out his books 'Home' and 'So where are you from?'.

And we will finish with another quote from Jarvis Cocker on the difference between living in Sheffield and elsewhere

"I assumed the rest of the world was like Sheffield. The big moment for me came when I was on the bus going to college in London, it was a wet day and it was all steamed up. I noticed that people weren't wiping the windows to look outside. They were so insular and focused on making their way through the day that they didn't take an interest in what else was going on. In Sheffield they're wiping those windows like crazy..."

I've certainly spent a lot of journeys on the bus from Rotherham back to Wickersley wiping the windows on a dark evening. There was a house on the hill out towards Herringthorpe which had an upstairs room lined with books, and a desk with a lamp which I always coveted as a place to work... 

Further reading
Will Hodgkinson - 'The Ballad of Britain: How music captured the soul of a nation'

Jarvis Cocker - 'Good Pop, Bad Pop'