ZTT Records was a label that was particularly active during the 1980s, having been founded in 1983.
Their first signing was Frankie goes to Hollywood.
It was founded by Trevor Horn, Jill Sinclair and Paul Morley.
ZTT is an initialism of Filippo Tommaso Marinetti's sound poem Zang Tumb Tumb, which described "zang tumb tumb" as the sound of a machine gun.
One of their best releases was Propaganda's 'A Secret Wish'.
I used to have a Citroen with a sun roof and on a sunny day I played this loud as I drove around Yorkshire and Derbyshire.
Another classic which got played in the 1980s was Grace Jones' 'Slave to the Rhythm' which has wonderful instrumentation and groove... there are also endless remixes of their tracks, which was a particular feature of ZTT's work.
This is the 12" edition and the production on this track is incredible...
Freddie Mercury | Splendid Things marks what would have been the singer's 80th birthday by showcasing some of his looks from the 1970s-80s, spanning both his time in Queen and his solo career. the display is spread throughout the building.
The trail has six stops, each showcasing a different high of Mercury's career within a dramatic setting in the museum's galleries — specially-placed mannequins posed to channel Mercury's stage presence.
The outfits on display — seven of which have been loaned by Mary Austin, Mercury's former fiancée and confidante of 20 years — include:
A monochrome outfit which Queen fans may recognise from the cover of the band's 1973 debut album. Mercury also wore it at an early Queen gig at Imperial College here in London.
The Mercury Wing catsuit, designed by Wendy de Smet, made famous in the Bohemian Rhapsody video, also worn by Mercury during the 1975-6 Night At The Opera tour.
The crown and cloak designed by Diana Moseley, worn on the Magic tour, including Mercury's last appearance with Queen, on stage at Knebworth in 1986.
The costume worn by Mercury in the Made in Heaven music video during his solo career away from Queen.
Accessories and items from Mercury's personal wardrobe are also on display, offering an insight into the man he was off stage, and away from the spotlight.
Alongside the recent passing of the legendary Dolly Parton, we also had the announcement of the passing of Tim Curry. He played the Lord of Darkness in the 1985 Ridley Scott film Legend and was also in The Rocky Horror Picture Show, which features a few well known songs on the soundtrack.
Initial audience reaction was not what they expected...
A new version of the film was edited with a new soundtrack.
To give the movie a score that might resonate more closely with younger viewers, the production brought in German New Age synth band Tangerine Dream. The band had previously scored movies including Firestarter, and even Risky Business, using their signature ethereal synths. Unlike Goldsmith’s score, which was tightly tied to each beat of the film, Tangerine Dream’s score was more rangy, and loosely atmospheric. The Tangerine Dream soundtrack sounded quite clearly like a Tangerine Dream soundtrack.
European viewers generally saw the film with the Jerry Goldsmith score. American audiences mostly saw the Tangerine Dream version.
The album features one of the most recognisable singles of the 1980s.
I hadn't realised (or had forgotten more likely) that L. Shankar played violin and added vocals to several tracks on the album. I saw him play live several times in Peter Gabriel's band and he has also worked with Jan Garbarek.
Here's a live performance from 1984 of 'Song for Everyone'.
Lakshminarayana Shankar - electric violin
Jan Garbarek - saxophones
Zakir Hussain - tabla, percussion
Trilok Gurtu - drums, percussion
I've seen Trilok play with Jan many times in the years since.
I lived in Hull for just under a year between September 1986 and May 1987 while I was training to be a teacher.
This was a time when one of the bands most associated with the city was active: The Housemartins. They morphed into 'The Beautiful South'. Some of the band members lived round the corner from where I lived.
I don't remember going to many gigs while at the university to be honest.
One was at the Hull Truck Theatre Company's venue. It was an evening of New Age music put on by Coda Records. John Themis played a great track from his album 'Atmospheric Conditions'.
There was also a band called Frugivores who played the same night.
The city is associated with a number of bands.
Another band from Hull was 'Everything but the Girl'. I remember someone showing me where they lived at the time.
The last concert I saw in Hull was Pat Metheny's trio concert when the SideEye tour came to the city as part of the City of Culture year. On the same night I saw a parade of large illuminated puppet figures and also some Bob and Roberta Smith art. The gig was superb and the venue was small.
The following night he played Barbican and I had tickets for that too.
1988 was the year when I started teaching in full time roles rather than part time.
In January, I started my first term's contract, which was at John Flamsteed School in Denby (where there was a pottery - sadly now closing down...). I lived with the school secretary who rented me a room, in a house above the Amber river. It's very tucked away but I managed to find the end of the drive on Street View.
I took some of my music with me.
Talk Talk released 'Spirit of Eden', Eberhard Weber released 'Orchestra'.
The stand out album was 'Once around the World' from It Bites.
Here's 'Old Man and the Angel' live in Tokyo the year after.
Anthony Phillips - an early member of Genesis, released 'Tarka' with Harry Williamson telling the tale of Tarka the Otter, by Henry Williamson. I had this on vinyl.
Here's Part 1, with some visuals from the film that was made, which ended up using different music apparently.
This was followed by another term in Eckington School on the edge of Sheffield: which required a bus journey as I hadn't yet passed my test. An interesting period in my life.
That summer, I discovered the Blue Nile - who have featured on the blog a number of times. By then, only 'A Walk across the Rooftops' had been released - back in 1984.
In September I started my first full time teaching job. I didn't know it, but I would spend the next 20 years at King Edward VII School in King's Lynn - then, the old grammar - the best school in West Norfolk and with some excellent colleagues....
1987 saw the release of more music that is still being played by me today.
Islands was a release by Mike Oldfield.
This was a time when Mike was trying to cater for two different audiences: those who liked his side-long instrumental pieces, and the shorter songs which could be released as singles, such as 'Moonlight Shadow'.
The Wind Chimes was the long piece... get ready for every 1980s video effect in the book being thrown at this one....
1987 was also the year that 'Hold your Fire' was released. This as featured earlier in the month - when Aimee Mann joined Rush on stage to sing 'Hold your Fire' - remains one of my favourite Rush albums.
The album is very 'glossy' in its production.
The tour for the album was excellent - I saw that several times, including once with my sister.
Meanwhile U2 released 'The Joshua Tree' which was also a very popular album at the time.
An album I have listened to a great many times is Jethro Tull's 'Crest of a Knave'. In the1989 entry, I will post another story about this album.
It included the excellent track 'Budapest'. I have posted previously about this track and the time I met the band. There had been a gap of several years since their last album as a throat infection had affected Ian Anderson's voice, and over the years since it has declined further...
Here's 'The Waking Edge' from the album.
At this time, Anderson was living on the Isle of Skye as the Laird of Strathaird - in a large house near Dun Ringill and fish farming.
This documentary was shown around this time on Channel 4.
What are your favourite albums and pieces of music from this year?
Kate Bush's 'Hounds of Love' was perhaps THE album of this year. This was on cassette tape at the time, which was potentially an issue as you needed to rewind and wind the tape to get to a particular track when playing it in the car, although it was such a good album that there was no need really. This got a lot of plays in my friend Caroline's car which I spent a lot of time in that summer. This was the year I graduated from Huddersfield Polytechnic with a 2:1 in geography - close to a first but noone got a first in that particular year. I went to Huddersfield City Hall to collect my degree certificate.
The album included some classic Kate Bush tracks. The song 'Cloudbusting' was particularly interesting as it had a video with Donald Sutherland in it.
It was based on the experiments of Wilhelm Reich.
The track which most people remember from that album though is one that was popularised by the TV series 'Stranger Things'.
Another female musician released an album this year which was produced by ZTT.
'Slave to the Rhythm' starts with Grace explaining her family heritage. The final track on the album draws the themes together.
It was produced by Trevor Horn - who has worked with many bands and musicians including Frankie goes to Hollywood and Mike Oldfield, and was involved with the ZTT record label I have blogged about separately.
Rush released 'Power Windows'. This was an album I came back to year after year and is probably in my top ten most played. I have written a separate blog post about the album. This used to accompany me up and down the A17 when I first started teaching in Norfolk, but came back home to Yorkshire for most weekends.
A final album from this year was Propaganda's 'A Secret Wish. This was another ZTT album and the production was excellent. I've blogged about this album separately as well, and also the label.
Here's the track 'P-Machinery'.
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Mike Oldfield also released a track called 'Pictures in the Dark'. This was not from a particular album.
My wife has a significant birthday today. Here are some of her favourite bits of music...
KLF up first... a banger from the 80s....
Pet Shop Boys
Her very favourite musical act. She has seen them numerous times, including at the Royal Opera House and other smaller venues, plus the O2. She's a Pet Shop Girl...
News came out a few days ago of the sad passing of Bonnie Tyler. The track that many people remember her for is Total Eclipse of the Heart - created by Jim Steinman, whose dramatic style led to the creation of Meat Loaf's 'Bat out of Hell' (a favourite on the jukebox at the Student Union as you got more minutes for your money than if you chose 'Teenage Kicks').
For me though it's this track. I remember buying Mike Oldfield's 'Islands' album and hearing this for the first time: a period when he was bringing in various guest vocalists for his shorter non-instrumental tracks.
The album was recorded in France, and featured Simon Phillips on drums, but also some Pierre Moerlen. The long first side called 'The Wind Chimes' was also the title of a VHS Video I had a copy of, with some very 1980s graphics....
Rush 'Signals' was a real highlight and has been described before.
This was the summer that I got my 'A' level results, and got a place at Huddersfield Polytechnic to do a geography degree. We had a summer holiday in Cornwall with friends. It was a time when I knew my next few years were sorted and I could relax a little.
Pat Metheny Group's 'Offramp' had some excellent tracks, including 'James'. This was the time when the guitar synthesiser which he still uses to superb effect was being introduced to his albums.
Jethro Tull released 'The Broadsword and the Beast'.
This was accompanied by a tour with a very theatrical staging, like a ship, and costumes and other elements. I saw this tour and had the t-shirt which I wore quite a lot over the years.
Peter John Vettese was on keyboards, which started his involvement with Ian Anderson on his solo album 'Walk into Light' which came out the following year.
Here's a live recording from Freiburg... now there's a city worth visiting...
What are your favourite albums and memories from 1982?
Into the 1980s now and the tone of some music changes. This is my wife's favourite decade. Electronic bands and synthesisers along with punk and dance music started to displace some of the other bands from the charts.
'The Blues Brothers' was released this year.
This is a wonderful film, which features plenty of memorable tunes which are now familiar from stage musicals and repeat viewings. Some fine guest star musicians as well.
The car chase to Chicago is an epic way to end the film with a record breaking number of cars destroyed in the process. Carrie Fisher was excellent in this film too.
Mike Oldfield played Knebworth that year.
Several years later, the film was released. I wanted to see it, and I was interested to see that it was playing at a cinema in Rotherham. It was the part of a double bill... the first film was called "Private Teacher" and was a bit 'risque'... google it... so I had to sit through that although I wanted to see the music not the other things.
I was working on a Saturday at the time for a local greengrocer. This meant driving over to the town of Mexborough in South Yorkshire where he had a market stall. I bought this track as a 7" single one Saturday... I also saw the first posters for the Genesis 'Duke' album in Woolworths the same time.
We had a DJ booth in our sixth-form centre at school in Wickersley Comprehensive - plus a couple of pinball tables and table-tennis tables. It was quite a good facility if you stayed on to do 'A' levels.
I did 4 'A' levels at school, and picked up a 5th one later.
Invisible airwaves Crackle with life Bright antennae bristle With the energy Emotional feedback On a timeless wavelength Bearing a gift beyond price – Almost free…
Jethro Tull released 'A' which was originally meant to be a solo album by Ian Anderson, after the Tull line up changed considerably including Eddie Jobson on keyboards and violin.
The track 'Crossfire' referenced the Iranian Embassy siege. I remember this event which happened in April of 1980. Live television coverage of the 1980 final between Alex Higgins and Cliff Thorburn was famously interrupted by the footage of the raid. I had been watching the match and we decided to get our cues and get the bus down to Rotherham (the fare was 2p at the time) and play snooker at the Central Snooker Club at the bottom of the High Street - which is still there. That was one of several we used to play at at the time - smoky and dark but when the lights came on you were focussed on the game.
I had a quarter sized table at home and we used to play a lot when I was in the Sixth form (when I had a free period...) - it didn't help my 'A' level studies.
When I go to the RGS, I often walk past the Embassy and tomorrow night I am due to stay in Prince's Gate, just behind the row of Embassy buildings facing Hyde Park.
Lyrics:
Spring lights in a hazy May And a man with a gun at the door Someone's crawling on the roof above All the media here for the show
I've been waiting for our friends to come Like spiders down ropes to free-fall A thirty round clip for a visiting cards Admit one to the embassy ball
Caught in the crossfire on Princes Gate Avenue In go the windows, out go the lights So call me a doctor, fetch me a policeman I'm down on the floor in one hell of a fight
Today marks the half way point of my year of musical blogging.
Thanks to all of you who have visited, contributed blog posts or commented. Over 40 000 page views is not too bad for a brand new project: a lot more than some of my previous 365 projects.
The idea is that I'm going to be sharing some music that I listen to from each year from 1973, when I first heard Tubular Bells to the present day.
This will count up through the years as we go through July and August and be supplemented with additional posts as always...
If there's an essential album you think I've missed out, please get in touch.
There'll be Google Forms at the end of some of the classic years.
Tomorrow we start with 1973, and straight away we have: 'Tubular Bells, 'Houses of the Holy', 'Dark Side of the Moon' and 'Queen' to kick us off... to name but a few from that particular year...
To get you in the mood - here's a song I loved when at Primary school and tried to play on the keyboard when two friends and I 'formed a band'... couldn't quite nail that opening piano riff at the time... Matt Podbury will appreciate this one...
See you tomorrow for the start of the count-up to 2026.... Feel free to chip in with your own favourite music from each year in the last 6 decades covered by this new section. There'll also be additional posts as usual...
Think Liverpool and of course you think of The Beatles and the Cavern Club.
Image: Alan Parkinson
There are many other musicians who are linked with the city too, whether by birth or because of their career. Gerry and the Pacemakers of course, whose song plays out as you take the eponymous ferry... and then take it again to come back as there's not a lot on the other side.... (no offence).
Frankie goes to Hollywood (who appear separately on the blog) were based there. They were helped by Trevor Horn to achieve huge success in the early 1980s.
The Beatles are the main people here of course.
In 'The Pie at Night', Stuart Maconie explores the psychogeography connected with songs like 'Penny Lane' (something explored by Brendan Conway in his Storymaps which I have blogged about previously.
This was an excellent gig - one of about fifteen at least that I saw in various venues, both headlining and also supporting others, such as Robert Plant.
This was for a standing gig at the Cambridge Corn Exchange.
Daniel Dylan Wray traces nearly seven decades of Sheffield’s independent music in Groovy, Laidback and Nasty, a sweeping account of a city whose creativity has always thrived on the margins. From electronic futurism and post-punk to pop, metal, bassline and bleep techno, Sheffield has consistently produced era-defining sounds shaped by isolation, economic struggle and a fierce DIY ethos.
The book explores how this understated city became home to visionaries who reshaped British music. Drawing on more than 150 interviews with figures including Pulp, Arctic Monkeys, The Human League, Cabaret Voltaire, Self Esteem and Richard Hawley, Wray builds a rich portrait of scenes that evolved through determination rather than civic swagger.
Positioning Sheffield alongside – and often ahead of – more documented UK music hubs, Wray offers both cultural history and a heartfelt tribute to the people who forged the city’s singular sound. As a writer embedded in Sheffield’s creative community for over two decades, he brings rare insight to a story that has long deserved this depth of attention.
Groovy, Laidback and Nasty stands as the definitive celebration of Sheffield’s independent musical legacy.
The Rush album 'Grace under Pressure', which was released in 1984 has been given a major update and made available in some chunky box sets which go up to over $250 in price!
One of the tracks features a guitar solo by Alex Lifeson which apparently took days to get right.
Alex has also said of the solo on 'Kid Gloves':
That song is from our Grace Under Pressure album. What I like about the solo is, it's the opposite of Limelight: it's got a hip, kind of slinky attitude, a little goofy humor. When I play it, I feel a certain confidence, also like a prankster, which is not the way I am in real life at all. What's funny about it, too, is that it has a plot to it, and I only realized that after I recorded it for the first time - I never have a plot in mind when I'm recording solos; I always just kind of wing them. The Kid Gloves solo guided me; it's like it knew what it wanted to be and I just had to allow myself to follow.
The entire concert from 1984 has now been made available by Rush on YouTube.
It's an era when synthesisers were becoming more dominant in their music, and reducing the amount of guitar that Alex Lifeson was able to contribute to their sound.
Rush are also appearing in 2 music magazines this month, with interviews relating to their new tour. I bought one of them which comes with a free poster and large sticker.