In November 1975, Mike Oldfield's third (and best) album was released: Ommadawn.
Here's a short documentary on the making of the album, which featured a much larger group of musicians than for his first two albums. They included Pierre Moerlen, who he would work with quite a lot in years to come.
The performance showcased material from Oldfield’s extensive catalogue, with particular emphasis on his ground-breaking multi-instrumental compositions. His stage setup required substantial technical coordination, as Oldfield was known for playing numerous instruments himself during live shows, seamlessly transitioning between guitars, keyboards, and other instruments. The live interpretation of his work demanded both musical virtuosity and careful orchestration, as many of his studio recordings featured extensive overdubbing and layered instrumentation that had to be recreated in a live setting.
The Knebworth concert came during an interesting phase of Oldfield’s career, following the enormous success of Tubular Bells and subsequent albums like Hergest Ridge, Ommadawn, and Incantations. By 1980, he had established himself as a pioneering figure in progressive rock and instrumental music, though he remained an enigmatic presence who gave relatively few interviews and live performances compared to his contemporaries. The scale of Knebworth represented both an opportunity and a challenge for an artist who preferred the controlled environment of the studio.
The event itself has become part of Knebworth’s storied history as a concert venue, joining the ranks of memorable performances by major rock acts of the period. For fans of Oldfield’s work, the concert represented a rare opportunity to witness his complex compositions performed live with full production values. While Oldfield would continue to perform sporadically throughout his career, his Knebworth appearance remains a notable milestone in demonstrating his willingness to share his innovative musical vision with large audiences despite his well-documented discomfort with the spotlight.





