I lived in Hull for just under a year between September 1986 and May 1987 while I was training to be a teacher.
This was a time when one of the bands most associated with the city was active: The Housemartins. They morphed into 'The Beautiful South'. Some of the band members lived round the corner from where I lived.
I don't remember going to many gigs while at the university to be honest.
One was at the Hull Truck Theatre Company's venue. It was an evening of New Age music put on by Coda Records. John Themis played a great track from his album 'Atmospheric Conditions'.
There was also a band called Frugivores who played the same night.
The city is associated with a number of bands.
Another band from Hull was 'Everything but the Girl'. I remember someone showing me where they lived at the time.
The last concert I saw in Hull was Pat Metheny's trio concert when the SideEye tour came to the city as part of the City of Culture year. On the same night I saw a parade of large illuminated puppet figures and also some Bob and Roberta Smith art. The gig was superb and the venue was small.
The following night he played Barbican and I had tickets for that too.
I think Pat Metheny may be getting close to being the artist I've seen play live the most. At one point it was probably It Bites, or Whippersnapper or Jethro Tull... all of whom were in double digits. I first saw Pat play live on the First Circle tour which was on May 4th 1985 at the Manchester Apollo - one of only 2 dates that year.
I've seen Pat play live in various different circumstances:
- with the Pat Metheny Group - including the late Lyle Mays and Steve Rodby, along with varying combinations of musicians
- as a Trio, with various musicians, including Antonio Sanchez
- Solo (including a superb concert at the Barbican
- with the Orchestrion: an automated
On Sunday, I headed down to the Barbican to see the latest tour with Side Eye 3+
Set List
Opening drum intro - in 'First Circle style'... although that involved a wider range of instruments...
In On It
Bright Size Life
Don’t Look Down
Better Days Ahead
Make a New World
The First Circle
Band introduction
Urban and Western
The Red One - (a John Scofield & Pat Metheny song)
Más allá (Beyond)
Phase Dance
Round Trip / Round Trip / Broadway Blues
Zenith Blue
America The Beautiful / The People United Will Never Be Defeated / Last Train Home
Are You Going With Me?
Minuano (Six Eight), Antonia, James, September Fifteenth, This Is Not America
1976 saw the arrival of another few classic albums. Blondie was in the charts a lot at the time - I was in Secondary school by now... and a half century has passed since...
Genesis released 'A Trick of the Tail', another album since Peter Gabriel's departure.
Perhaps the best album released this year is now a classic, but I didn't encounter it for another 20 years at least....
2026 is the 50th anniversary of its release.
Bright Size Life is the name of the album: a trio recording, and the debut for Pat Metheny - at the age of just 21.
The album features Pat Metheny of course, plus Jaco Pastorius on bass and Bob Moses on drums. It was released by ECM Records.Details are here.
Here's the title track:
Meanwhile, there was another album which kick started a long career. This time in electronic music.
Jean Michel Jarre released 'Oxygene': a classic.
Rush released 2112, which really sent their career into overdrive too... I remember listening to this album when still at school, so that must have been a few years after it was released....
The summer of 1976 saw the heatwave which is still referred to to this day.
I remember it well.
I am currently reading this book, which is a social and cultural history of the months from May to July of 1976.
One of the sections is about music.
I was also pleased to see that when I opened the book, a Spotify playlist had been created for it.
What are your favourite albums from 1976 with its long hot summer?
Pat Metheny has released an unexpected digital only single today... I'm seeing him in a few months' time on his latest Side Eye tour, having seen the previous two of these.
A second posting for today as I need to mention an anniversary of one of the best concerts I ever went to.
I was fortunate enough to be present at the Hammersmith Odeon on the 12th of June 2005 (I was in Block 9 Row E Seat 38 in the Circle...) for a performance of "The Way Up" and other music - almost 3 hours of sublime jazz. The late Lyle Mays was awesome as ever, and I loved seeing Pat with Antonio Sanchez on drums once again. It's a pity they stopped working together.
I can't believe that's now over 20 years ago...
Here's the Introduction to the piece, recorded in South Korea in April that year. Then check out the whole piece.
Musicians: Pat Metheny, Lyle Mays, Steve Rodby, Antonio Sanchez, Cuong Vu, Gregoire Maret, and Nando Lauria.
I always enjoy hearing this performance from Pat Metheny, Lyle Mays, Steve Rodby and Nana Vasconcelos.
It's called 'Ozark'.
Here's a studio version. "Ozark" is from "As Falls Wichita, so Falls Wichita Falls", a collaborative album by Pat Metheny and Lyle Mays, released in 1981.
This album is definitely in the top five best live albums ever recorded.
It captures the band that toured with Joni Mitchell in 1979.
For the album, Mitchell was backed by a band of acclaimed jazz and fusion musicians consisting of guitarist Pat Metheny, bassist Jaco Pastorius, drummer Don Alias, keyboardist Lyle Mays, and saxophonist Michael Brecker.
The vocal group 'The Persuasions' also appear on several tracks.
After an introduction with a wash of keyboards from Lyle Mays and an extract from the film 'Rebel without a Cause', the album opens with "In France they kiss on Main St." which is driven by Jaco Pastorius' excellent bass line, with interjections from Pat Metheny... fusion... "Coyote" is excellent. Pat also has his own solo following the track 'Amelia'.
He played with a great many of my favourite musicians.
The first time I saw him I was completely blown away by his style and sound. This was a concert with the Jan Garbarek Group performing 'Molde Canticle' from 'I took up the Runes' at the Cambridge Corn Exchange.
I then saw him around a half dozen other times with the Jan Garbarek Group, including a concert at the St. Andrews Hall in Norwich, where I had front row seats.
One night in Norwich I also went to see him play a solo concert at the Norwich Arts Centre. He said quite a bit between the music that he played expressing thanks and surprise that people would come out to watch him "playing with himself".
This was a reference to the echo and delay unit that he used to layer up sounds and create some wonderful effects and tunes.
He started out working with other musicians, and recorded several solo albums too.
He also played with the Colours Quartet and recorded several albums, which had Lyle Mays as one of the players too.
Here's an early performance.
A tribute concert was held in Stuttgart in 2015.
It was released as an ECM album called 'Hommage a Eberhard Weber' - I have a copy of that album.
Musicians playing were: Gary Burton, Pat Metheny, Scott Colley, Danny Gottlieb, SWR Big Band, Helge Sunde.
Weber's latest albums, Résumé (2012) and Encore (2015) comprise solos from his performances worldwide with The Jan Garbarek Group, overdubbed with keyboards/treatments by Weber, saxophone by Garbarek, and flügelhorn by Ack Van Rooyen.
This included a long piece which was written by Pat Metheny.
This was recorded with musicians in front of a screen which showed some of his solo work.
She called me once when I was in Hamburg. I couldn’t even believe it was her. The hotel had a message from Kate Bush and I called her back. She told me she loved ECM music in general and my music in particular. She wanted me to participate in one of her albums. She sent me a tape of the two tracks she wanted me to play on and asked me to think about countermelodies. So I did that and flew to London where she lived. I thought it would be like the jazz people I work with and that within two hours, the first tune is done and within another hour, the second tune is done.
No. It’s very different, which I learned in this, my first appearance in the pop world. They checked every note—everything, everything, everything. The first tune took six to eight hours. The second one the same. It explained to me why these pop people take so long to produce their albums. They never decide right away what to do. So when I came up with some ideas they said “yes, yes, let’s record it to 48 tracks.” Then I’d have another idea and again, it would be “yes, yes, yes, let’s do it this way.” I recorded dozens of ideas and in the end, only one was accepted. These people have the attitude that it’s only later when they mix that they decide. This is very unusual compared to the older ECM productions in the '70s when I started.
Making a record only took three days: two days of recording and one day of mixing.
Only later on when it became more complicated with synths and such did it take longer.
But pop people take six months or even longer to make a record."
"I've been a fan of Lyle’s writing and playing forever and It was somewhat daunting to play a keyboard with Lyle listening. He's truly shaped the landscape of piano and synth playing forever. So proud and honoured to play rhythm keys to Lyles lead. I'm honoured to have gotten to know him as a friend.". Mitchel Forman.
Lyle Mays has been an integral part of the Pat Metheny Group since its inception in 1977, and has co-written much of the consistently engaging music for the multi-Grammy-winning group's albums. Lyle's sense of melody, crystal clear virtuosity and almost cinematic scope of orchestration has clearly distinguished the group's sound. Born into a musical family in Wausaukee, Wisconsin, in 1953, he was always encouraged to explore new forms of expression. As a teenager, Lyle attended jazz summer camps and studied with such talents as Rich Matteson and Marian McPartland. He then studied composition and arrangement at North Texas State University before touring with Woody Herman's Thundering Herd. While appearing at the 1975 Wichita Jazz Festival, Lyle met twenty-year-old guitarist Pat Metheny, and the two formed a musical alliance that has proven to be among the most artistically successful of the past three-plus decades.
I was fortunate to have seen Lyle play live many times over a period of 25 years... accompanying Pat Metheny and other wonderful musicians.
Here's a classic track and performance.
I also have all of Lyle's solo albums which are varied and creative and wonderful.
When watching concerts, a highlight was when you knew Lyle was going into one of his piano solos...
Lyle Mays was a key member of Pat Metheny's band for many years.
And here's a classic performance from a jazz festival performance similar to one I had on VHS back in the day.
A song called Ozark which featured Pat and Lyle along with the wonderful Brazilian percussionist Nana Vasconcelos (playing a berimbau - a Brazilian percussion instrument made with a dried gourd) who I saw playing with Andy Sheppard. Check out that piano solo....
Here's five of my favourites, although ask me again tomorrow and I'll choose a different five:
1. 'Twelve Moons' - Jan Garbarek Group (1993)
2. Pat Metheny - 'Bright Size Life' (1976)
3. Keith Jarrett - 'Köln Concert (1975)
4. Anouar Brahem - 'Le pas du cat noir' (2002)
5. Ale Moller and Lena Willemark - 'Nordan' (1994)
Some of these will have their moment on the blog as well....
Here's the opening track from one of the albums, the wonderful 'Twelve Moons' - played live. I saw this band and this track performed live.
We also had sad news yesterday of the passing of an artist who has recorded many times with ECM: the virtuoso guitarist and pianist Ralph Towner. A real multi-instrumentalist.
Today is the 10th anniversary of the passing of David Bowie: a musical icon for many. I remember listening to his music from the late 1970s onwards. My wife saw him play live, but I never managed it.
This contains a range of objects (about 90 000) and there is more information on Bowie's career and the creation of some of his most famous songs. I have plans to see it later this year and will be blogging about the visit here of course.
Social media is full of people sharing their favourite David Bowie tracks today.
Here's a track which is not necessarily my favourite, but whose name is perhaps apposite.
For the album, Bowie was asked to contribute by the composers Pat Metheny and Lyle Mays. They will be mentioned on the blog a lot. He worked out the vocals after watching an early cut of the film.
The iconic Bowie track 'Heroes' was used in the final closing credits of the final episode of 'Stranger Things'.
I will be blogging more about that particular track later in the year, and also sharing a Bowie story map created by Brendan Conway.
What is your favourite Bowie track?
Let me know in the comments.
Update
Thanks to Matt Podbury for suggesting this performance by David Bowie, and referencing his collaboration with Queen. More on that to come later in the blog.