I need to find a way to watch this new documentary on Neil Peart...
Any advice on how to watch it in the UK?
I need to find a way to watch this new documentary on Neil Peart...
Any advice on how to watch it in the UK?
OK, so it's Rush again, and this time it's a take on teenage life and not fitting in. The 'Subdivisions' are the suburbs of a city in Canada.
The album cover for 'Signals' was particularly memorable. I had the tour t-shirt and programme from this tour.
It was created by Hugh Syme, as were most of Rush's album covers.
The back of the album featured a well rendered vision of a fictional Canadian suburb, with hidden meanings to many of the street names.
Sprawling on the fringes of the cityThe Manor was owned by Richard Branson for a while in the 1970s.
It was used by a wide range of recording artists who recorded some classic albums there, including Tangerine Dream and XTC, and It Bites (who have appeared on the blog)
It was at the Manor that Mike Oldfield was given some time to work on a solo project with some support from Tom Newman.
Here's a short film made by Robert Reed about that.
When it went up for sale in 2010, there was a booklet produced by the estate agent handling the sale:
The Manor, high altar of 1970s rock and birthplace of the legendary album Tubular Bells, has been put up for sale. The eventual buyer will snap up not only a grand 16th-century, Grade II-listed house in Oxfordshire, but also a large slice of music history.I've just heard about this site.
It's an interesting visual variation on Setlist.FM - using its data / API. There's a few issues as the first act I tried: Mike Oldfield had some concerts without set lists on the site so the data is incomplete..
Pick a band, tick off the nights you were actually in the room, and get the record back: every song you’ve heard them play live, how many times you’ve heard each one, the tours you were part of, and a print-resolution poster of it all.It allows you to generate various graphics such as the ones below:
In November 2024 I went down to the Barbican Hall to see Tangerine Dream perform their album 'Phaedra' live.
Or did I?
The band was founded in 1967 by Edgar Froese.
The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann (who later formed the record label Private Music.) Froese has passed away, and the other two original members don't perform with the band.
I'm seeing them play in Norwich next year too.
How about Kraftwerk?
They have been touring all summer, but only Ralf Hütter is from the original band.
They were formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Wolfgang Flür joined in 1973 and Karl Bartos in 1975. Schneider passed away in 2020.
And Steve Howe's version of Yes is basically just him from the classic line-up from the 1970s - and they released a new album recently called Aurora - meanwhile, I have tickets to see Jon Anderson and the Band Geeks at the London Palladium - the closest you will get to seeing Yes today? I'm lucky to have seen the classic line up several times, plus the Union tour and various solo tours and other incarnations.
Here's Anderson and the Band Geeks playing "Counties and Countries".
How about Pink Floyd without Roger Waters?
They reunited for Live 8 in 2005, but Richard Wright has since passed away.
Genesis without Anthony Phillips or Hackett or Gabriel? Well, there's still a chance they might get together again I guess...
Rush without Neil?
Well, there's one that has plenty of fans talking... but the tour seems to be going very well with some epic shows, and they are heading for the O2 and Manchester next year.
Which other bands are still going despite having very few (or no) members from the original line-up?
A few months ago, I posted about Desert Island Discs and invited people to share their choices. One person has responded to the request so far - thanks!
I've been thinking of my music choices. These are subject to change of course, but at the time of posting, I reckon I would take the following:
Piece 1: Ommadawn Part One, Mike Oldfield - the GOAT
Tubular Bells is the one that people always talk about when considering the work of Mike Oldfield, and his debut certainly had an impact, and launched the Virgin empire. This, his third album involved working with a wider range of musicians, and once again lots of overdubs and multi-instrumental virtuosity from Oldfield. There are also guests such as Paddy Moloney from the Chieftains who played the uillean pipes, and Les Penning.
Piece 2: Ará Batur - Sigur Rós
This is one of those pieces that builds and builds to a huge crescendo and I was fortunate to have been in the Royal Albert Hall when it was played live for only the 2nd time (the first time had been the night before...) There are several recordings of this moment online.
Piece 3: Headlights on the Parade - The Blue Nile
From the classic album 'Hats'. They remain one of my favourite live memories.
Piece 4: The Road not Taken - Bruce Hornsby
Unrequited love in the Appalachians, with a nod to Robert Frost's poem.
Piece 5: Close to Home - Lyle Mays
The final track from Lyle Mays' first solo album, released in 1986.
Piece 6: Goodnight America - Mary Chapin Carpenter
An excellent version of this song from the 'Songs from the Movie' album which I first heard on the radio one evening driving back home. I saw Mary play this song live a few years after that.
Piece 7: The Lake - Mike Oldfield
No apologies for including a second long Mike Oldfield instrumental. This one was released in 1984, and later that year I made my first visit to Norway.
I had it on cassette on my Sony Walkman (remember those?), and listened to it while sat by a lake in the sun.
Piece 8: The Garden - Rush
The final track from their final album made with Neil Peart.
It's a perfect piece of music.
In terms of books, I am going to have to go with J. R. R. Tolkien's 'The Lord of the Rings'. I have a special Deluxe edition of the book which I was given for a birthday present over well over 40 years and is worth anything up to £2000 apparently.... it dates from 1979 and has gold leaf on the front cover and came in a special box.
And my luxury of course will be a stash of single malt whisky, specifically this one:
Please let me know your own Desert Island Discs.
I will share more contributions later in the year hopefully.
I have a memory of purchasing this track when it came out in August 1982. This was the summer before I headed to start my undergraduate studies. The long summer when my future was ahead of me...
2003 was important for music as this was the year that Apple launched the 3rd edition iPod - in white with a click wheel for navigation.
I still have mine and it still works. I have the charger and it's still got music on it.
By this time, the internet was providing opportunities to download tracks and iTunes had been around for a while. Streaming was still a way off.
Some of the downloads were illegal in that they didn't involve paying for the music. One of the locations online was Pirate Bay. This opened in 2003 too. This was a Peer to Peer torrent service. At this time, there was a lot of coverage.
The founders were charged with several offences linking to copyright. And yet now AI just steals the world's music....
2002 saw the release of Vapor Trails by Rush. It was later re-released as a remastered album in 2013 which solved some of the album's muddy production first time round. It has some excellent tracks on it and I have the remastered version.
Ghost Rider was one of the stand out tracks for me. It is written about Neil Peart's own travels.
I did an assembly some years later about Mark Beaumont's first round the world cycle trip where he smashed the world record... but would later smash it again, circumnavigating the world in less than 80 days.
1996 was thirty years ago now...
Nick Cave and the Bad Seeds released 'Murder Ballads'.
Rush released 'Test for Echo'.
This has an inunnguaq (ᐃᓄᙳᐊᖅ, 'imitation of a person', plural inunnguat) on the front cover.
One lunchtime in 1993 I came home from work at lunchtime to check the post and have some lunch. I was living in a flat in King's Lynn which was cheap and a bit of a dive truth be told... but it was cheap and only three minutes walk from school - in fact I could see it out of one of the windows...
Waiting for me was the new Rush album. I couldn't resist putting it into my CD player - I had a nice separates system with vinyls, but with the odd new CD appearing. It started really quietly and then '1, 2, 3, 4, 1, 2....' then the drums pounded out of the speakers.
Here's the 2004 remaster of that opening track from the album 'Counterparts': 'Animate' - it remains one of my favourite openings of any Rush album.
In 1991, I saw a band called 'This Picture' at the Sheffield University Union. They were supporting the band 'Runrig'. I was impressed with them, and ended up collecting a lot of their CD and 12" singles. This is one of my favourite tracks of theirs from an EP.
1991 was a busy year work wise and I remember trying my best to go to concert as often as possible.
Rush released 'Roll the Bones' and I saw the 'Roll the Bones' tour at the Sheffield Arena. I wore the t-shirt for climbing - which I did quite a bit back then - and it didn't fare very well.
The track from the album 'Bravado' is being used while a montage of Neil Peart plays during their R50 tour which is currently playing to great acclaim across the USA.
It Bites were a big part of this year for live music, as they had been through much of the late 1980s.
What were your favourite albums from 1991?
I've been revisiting the Rush album 'Power Windows', which was released in 1985.
It was an album I played a lot when it first came out. It's a good driving album, and I did a lot of driving up and down the A17 between Yorkshire and Norfolk around this sort of time.
The album had a series of songs on the broad theme of POWER, and looking back at it just over 40 years on, this was a fine album.
I saw many of the songs from this album played live several times.
Recording began at The Manor Studios in Oxfordshire, England, where the basic rhythm tracks and keyboards were recorded. I have a blog post about this studio.Kate Bush's 'Hounds of Love' was perhaps THE album of this year. This was on cassette tape at the time, which was potentially an issue as you needed to rewind and wind the tape to get to a particular track when playing it in the car, although it was such a good album that there was no need really. This got a lot of plays in my friend Caroline's car which I spent a lot of time in that summer. This was the year I graduated from Huddersfield Polytechnic with a 2:1 in geography - close to a first but noone got a first in that particular year. I went to Huddersfield City Hall to collect my degree certificate.
The album included some classic Kate Bush tracks. The song 'Cloudbusting' was particularly interesting as it had a video with Donald Sutherland in it.
It was based on the experiments of Wilhelm Reich.
The track which most people remember from that album though is one that was popularised by the TV series 'Stranger Things'.
Another female musician released an album this year which was produced by ZTT.
'Slave to the Rhythm' starts with Grace explaining her family heritage. The final track on the album draws the themes together.
It was produced by Trevor Horn - who has worked with many bands and musicians including Frankie goes to Hollywood and Mike Oldfield, and was involved with the ZTT record label I have blogged about separately.
Rush released 'Power Windows'. This was an album I came back to year after year and is probably in my top ten most played. I have written a separate blog post about the album. This used to accompany me up and down the A17 when I first started teaching in Norfolk, but came back home to Yorkshire for most weekends.
A final album from this year was Propaganda's 'A Secret Wish. This was another ZTT album and the production was excellent. I've blogged about this album separately as well, and also the label.
Here's the track 'P-Machinery'.
,1984 was an important year for me as I started the final year of my undergraduate studies at Huddersfield Polytechnic. My LP collection was growing too.
In Huddersfield at the time we had the release of a song called 'Relax' which was banned from radio play.
This guaranteed that it went to number 1 of course.
'Welcome to the PleasureDome' was an album by ZTT, who also released the classic 'Propaganda' album which I will be blogging about separately as this was my driving album in the late 1980s. This was by Frankie goes to Hollywood, although much of the music was played by session musicians.
The album was rereleased in late 2025 with a new mix by Steven Wilson including a Dolby Atmos mix.
The music was arranged by Trevor Horn.
Session musicians including Steve Howe from Yes were included.
This was also the era of the 12" single... and endless variations on the original tracks were created.