This extract from the late Sam Neill's autobiography has been shared a few times over the last few days...
Here's 'Yours is no disgrace' from The Yes Album (1971)
This extract from the late Sam Neill's autobiography has been shared a few times over the last few days...
Here's 'Yours is no disgrace' from The Yes Album (1971)
1998 saw more excellent albums appearing in people's collections.
REM released 'Up' - not quite to the same standards as their earlier golden period.
Pulp released 'This is Hardcore'. Dark in tone.
Madonna's Ray of Light was given some William Orbit treatment...
This was one of the stand out songs of this year.
Via Wikipedia:
The Verve developed "Bitter Sweet Symphony" from a sample from a 1965 version of the Rolling Stones song "The Last Time" by the Andrew Oldham Orchestra, adding vocals, strings, guitar and percussion.I later heard the song being performed by Richard Ashcroft when he supported 'The Who' on the Sandringham Estate.
Pat Metheny Group released 'Imaginary Day'. This album has an intriguing cover where icons replaced letters and the CD provided the 'key' to working out what the symbols meant.
One track 'The Roots of Coincidence' was unlike most other Pat Metheny Group music and I played it to a friend on the way to a gig at the Cambridge Corn Exchange.
Here it is being played live on the 'Speaking of Now' tour, which I also saw...
Via Wikipedia
The album won the 1999 Grammy Award for Best Contemporary Jazz Album. The song "The Roots of Coincidence" won a Grammy Award for Best Rock Instrumental Performance; critic Richard Ginnell of AllMusic described the song as a dramatic departure for the group: "[an] out-and-out rock piece with thrash metal and techno-pop episodes joined by abrupt jump cuts."What were your favourite pieces of music from 1997
This is an excellent website from Jamie.
Pages include:
- A look at the AIR studios on Montserrat that I blogged about earlier
- A look at the evolution of Genesis
They also visit some classic musical venues.
I've seen Pat play live in various different circumstances:
- with the Pat Metheny Group - including the late Lyle Mays and Steve Rodby, along with varying combinations of musicians
- as a Trio, with various musicians, including Antonio Sanchez
- Solo (including a superb concert at the Barbican
- with the Orchestrion: an automated
On Sunday, I headed down to the Barbican to see the latest tour with Side Eye 3+
Set List1996 was thirty years ago now...
Nick Cave and the Bad Seeds released 'Murder Ballads'.
Rush released 'Test for Echo'.
This has an inunnguaq (ᐃᓄᙳᐊᖅ, 'imitation of a person', plural inunnguat) on the front cover.
Pat Metheny Group released 'We Live Here'.
This is one of their best albums. The inner sleeve featured photographs and maps and other material describing the places where the band members grew up and live. There are lots of maps on the front cover too.
It won a Grammy.
I saw the band on their tour to support this album.
A good analysis of the album here from Sputnik Music.
Jethro Tull released 'Roots to Branches'. This album has some very nice pieces. Here's 'Beside Myself'.
What are your favourite albums from 1995?
Back to 1994 and to an early album release from Francis Dunnery. The album was bookended by two songs I'm fond of...
A CD single which I have also featured some alternative versions.
What are your favourite musical moments from 1994?
One lunchtime in 1993 I came home from work at lunchtime to check the post and have some lunch. I was living in a flat in King's Lynn which was cheap and a bit of a dive truth be told... but it was cheap and only three minutes walk from school - in fact I could see it out of one of the windows...
Waiting for me was the new Rush album. I couldn't resist putting it into my CD player - I had a nice separates system with vinyls, but with the odd new CD appearing. It started really quietly and then '1, 2, 3, 4, 1, 2....' then the drums pounded out of the speakers.
Here's the 2004 remaster of that opening track from the album 'Counterparts': 'Animate' - it remains one of my favourite openings of any Rush album.
Via the Albumism BlueSky account.
Goldfrapp are the unofficial band of the geography department where I teach. When my colleague Claire Kyndt and I co-presented our work at the GA Conference some years ago, this was our walk-in music.
Strict Machine was released on this day back in 2003.
The person in the bunny mask is Gwendoline Christie, star of Game of Thrones.
Here's the official video:
“Our music is a blend of east and west, old and new. We’re building on a history and a sound that has been around for thousands of years.”
Galbadrakh Tsendbaatar, AKA Gala
Iron Maiden organised an event called Eddfest last weekend and a band called 'The Hu' were playing. This is not a misspelling of Roger Daltrey and Pete Townshend's band....
The band say they didn’t choose their name as a play on the Who’s, but because “hu” is the root word for human being in Mongolian. “We took the name because of the inclusive nature,” Temka said. “It’s not about being Mongolian. It’s about being human.”
The Hu were profiled in a piece in The Guardian some years ago... with a classic punning title.
There's plenty of classic geography scenery in this video: Black Thunder Part 1
The band’s video for Yuve Yuve Yu likewise stresses the connection between modernity and tradition. It opens with various band members in contemporary settings – an upscale coffee shop in Ulaanbaatar, or at home playing a video game – before Gala opens the door of his urban apartment to enter a vast expanse of mountains and lakes in Mongolia’s remote western region. The images that occupy the rest of the video are so stunning, they could double as a travelogue for the Mongolian tourist board. The band’s second video, for Wolf Totem, unites traditional Mongolian horse riders with leather-clad men on Harleys, suggesting an eastern take on Easy Rider. That connection underscores a bad-ass image that has made the band a natural for metal heads.
1992 was another year of fine albums.
Tori Amos released her album 'Little Earthquakes'.
This was a great album, and I saw the tour in support of the album. There was a lot of buzz around it.
The cover was also inspired by an image featuring another singer songwriter: Kate Bush.
The album of the year, according to the NME (New Musical Express - I fondly remember the years when I used to buy it), was Copper Blue by Sugar.
It was fantastic to finally get to see Sugar earlier this year playing live on the first UK date of their 'Love you even still' tour.
“We are not fish, we are humans…”
I came across Chris Obehi's music from his appearance in the film 'The Welcome Table'.
In the film, he describes his experience of crossing the Mediterranean Sea as a migrant from Nigeria.
He was on a raft with 70 other migrants and was adrift at night. He befriended a boy who was travelling alone and said he would help him. When the raft encountered another boat who tried to take the passengers on board, he and the boy were taken on board before the raft then sank and many on board drowned. He feels that the boy saved him as much as he saved the boy.
While in Palermo, he became a musician and came to the attention of people and now makes his living from it.
The name of this song translates as "We are not fish". It is a powerful Afro-pop song and album by Nigerian musician and activist Chris Obehi, who wrote the track in Italian. The song shares the emotional story of migrants crossing the Mediterranean, asserting their humanity.
In 1991, I saw a band called 'This Picture' at the Sheffield University Union. They were supporting the band 'Runrig'. I was impressed with them, and ended up collecting a lot of their CD and 12" singles. This is one of my favourite tracks of theirs from an EP.
1991 was a busy year work wise and I remember trying my best to go to concert as often as possible.
Rush released 'Roll the Bones' and I saw the 'Roll the Bones' tour at the Sheffield Arena. I wore the t-shirt for climbing - which I did quite a bit back then - and it didn't fare very well.
The track from the album 'Bravado' is being used while a montage of Neil Peart plays during their R50 tour which is currently playing to great acclaim across the USA.
It Bites were a big part of this year for live music, as they had been through much of the late 1980s.
What were your favourite albums from 1991?