Showing posts with label Keith Jarrett. Show all posts
Showing posts with label Keith Jarrett. Show all posts

Friday, 3 July 2026

Jul 3: 1975 - 'Ommadawn' and the rest

In November 1975, Mike Oldfield's third (and best) album was released: Ommadawn.

Here's a short documentary on the making of the album, which featured a much larger group of musicians than for his first two albums. They included Pierre Moerlen, who he would work with quite a lot in years to come.


The cover image was shot by David Bailey and there were some additional images of Mike in the same session which are great shots of him at that time.

And here's a performance from Knebworth Festival, with the band I saw in 1980 when I saw Mike play, in the same t-shirt... some improvisational differences, but I still remember it very well....




Here's the details of the rereleased album:

Mike Oldfield’s appearance at Knebworth on June 21st 1980 marked a significant moment in his career, representing one of his rare large-scale live performances during this period. The concert was part of a major outdoor festival that also featured other notable acts of the era, including the Beach Boys and Santana. For Oldfield, who was known for being somewhat reclusive and uncomfortable with live performances, taking the stage at such a massive venue was particularly noteworthy. The event drew tens of thousands of fans to the historic Hertfordshire estate, which had become one of Britain’s premier outdoor concert venues during the late 1970s and early 1980s.

The performance showcased material from Oldfield’s extensive catalogue, with particular emphasis on his ground-breaking multi-instrumental compositions. His stage setup required substantial technical coordination, as Oldfield was known for playing numerous instruments himself during live shows, seamlessly transitioning between guitars, keyboards, and other instruments. The live interpretation of his work demanded both musical virtuosity and careful orchestration, as many of his studio recordings featured extensive overdubbing and layered instrumentation that had to be recreated in a live setting.

The Knebworth concert came during an interesting phase of Oldfield’s career, following the enormous success of Tubular Bells and subsequent albums like Hergest Ridge, Ommadawn, and Incantations. By 1980, he had established himself as a pioneering figure in progressive rock and instrumental music, though he remained an enigmatic presence who gave relatively few interviews and live performances compared to his contemporaries. The scale of Knebworth represented both an opportunity and a challenge for an artist who preferred the controlled environment of the studio.

The event itself has become part of Knebworth’s storied history as a concert venue, joining the ranks of memorable performances by major rock acts of the period. For fans of Oldfield’s work, the concert represented a rare opportunity to witness his complex compositions performed live with full production values. While Oldfield would continue to perform sporadically throughout his career, his Knebworth appearance remains a notable milestone in demonstrating his willingness to share his innovative musical vision with large audiences despite his well-documented discomfort with the spotlight.​​​​​​​​​​​​​​​​

1975 also saw Camel release 'The Snow Goose' based on the book by Paul Gallico. 



The string arrangements were by David Bedford, who also worked with Mike Oldfield.

For Dylan Jones, this was one of the most important years for music. I've been reading his book on 1975, and there are mentions for various other key albums from this year too, including Keith Jarrett's Köln Concert.


What were your favourite albums which were released in 1975?

Add them in the comments below.

Saturday, 24 January 2026

Jan 24: Keith Jarrett's Köln masterpiece

One of the greatest albums of all time, and still the bestselling solo jazz album – and the bestselling solo piano album – of all time, selling more than 4 million copies to date - I have one of them.


There will be a few posts which will be posted on the anniversaries of particular events and this is one of them.

The story behind its creation is also fascinating. It very nearly didn't happen, and the piano it was recorded on had some serious problems which Jarrett overcame, and which contribute to the unusual sound and arrangements on the album. He was exhausted and hungry when he performed.


I visited the venue where it was recorded in 2024 when I was in Köln for an educational event. 
The city has connections with other bands including Kraftwerk - we will return to them later in the year...



A documentary has been made about the circumstances under which this piece was recorded. The trailer for it is here. I would like to go and see the finished film if possible.