Showing posts with label Moon. Show all posts
Showing posts with label Moon. Show all posts

Monday, 8 June 2026

Jun 8: Guest blogger Carl Lee #18: Moon age daydream

The latest guest blog from Carl Lee - thanks as always to Carl for his support of the project.

Moon age daydream

Artemis 2, NASA’s re-pitching of the USA as the head of the global space race, spent a fortnight or so in April 2026 at the head of the news as it took a tour of the 'dark side of the moon'. To get a good news story out of the USA was going some at that time and it reminded me to look back at Canadian astronaut Chris Hadfield’s 2013 version of David Bowie’s song ‘Space Oddity’ that he recorded on the International Space Station. 

This is a version that Bowie himself described as “possibly the most poignant version of the song ever created”. 

Now I’m a big moon fan: a picture of a full moon rising over a southern Scottish village is the cover my last book ‘…So Where Are You From? Geography, Identity and Place’ and within it I set out my ‘Moon age daydream’.

 “All my life I have stared at the moon, from slivers of new moons through to ‘super’ full moons, whether peaking out from scudding clouds in a rain swept Sheffield, or in the sharp clarity of a clear Himalayan sky. You probably have to, wherever you live”. 

Editor comment: I have a copy of the book and it's well worth reading as a companion piece to Carl's earlier book 'Home' based around a year in the city of Sheffield - Alan

This is a precursor to a short essay on how the image ‘Blue Marble’ taken by astronaut Eugene Cernan helped to develop a global sense of place, and acted as a spur for the burgeoning environmental thinking, and social movements of the 1970s, even though, ironically, Cernan, on retiring from 'astronauting' became an avid promoter of fossil fuel energy interests, even becoming the vice-president of an oil company. Truly an ‘all-American hero’.  

Source: NASA.

Unsurprisingly the Moon is a perennial topic of musical inspiration because as Paul Simon put it in his “Song About A Moon’:

“If you want to write a song about the human race, write a song about the moon”. 

The early Greeks grasped this with their Orphic Hymns including one to the moon, which is a “goddess queen diffusing silver light”. Yet you don’t have to journey so far back in history to explore the songs of, about, and inspired by, the moon. 

It’s a musical ‘parlour game’ as to what might be your favourite moon songs.

Please let us know your favourite moon songs in the comments, or by filling in the Google Form at the bottom of the post.

If I were pushed to name mine, three distinctly different versions of moon music would have to vie for any definitive parlour choice. 

The sensuous beauty of Van Morrison’s ‘Moondance’ with its twinkling jazz piano, late night vibe, and sultry evocation of a mysterious moonlight assignation would have to be a contender. The song was first released as the title song on his third studio album in 1970 but didn’t become a single until 1977. 


Neil Young’s ‘Harvest Moon’ (1992) has a similar romantic quality but set within its country frame.   

The inverse to the romantic qualities that the moon projects, is the dark side of the moon. 

Creedence Clearwater Revival’s ‘Bad Moon Rising’(1969) is a prime example with ‘trouble’ on the way and the end ‘coming soon’. This is the moon of werewolves, horror movies and dark deeds. It is also the moon of Echo and the Bunnyman’s  ‘The Killing Moon’ with its dark refection on the moment of death.

 “The killing time, 

unwillingly mine.

Fate up against your will.”

Other folk may have different interpretations of Ian McCulloch’s lyrics but I’m going to stick with my existential howl at the moon.

A more prosaic lyrical moon song is Gil Scott Heron’s rap poem, with a variety of musical settings, of ‘Whitey On The Moon’. Here I’ve opted for the JDilla’s modern take with its video reference to Jeff Bezos, Richard Branson and Elon Musk, the ultimate triumvirate of space-obsessed white men. 

As I muse in “ …So Where Are You From”:

“ Will Musk bestride Mars? Will Bezos be mining rare minerals from the moon? Will Virgin Galactic be running day trips to the moon?”   

And all the while whilst wondering whether the more mundane challenges of living on Earth: the environmental, social and economic realities, are perhaps more pertinent to the billions who are part of the 80% of the global population who have never even flown in a plane let alone aspired to bestride the moon. Although all of them will have stared at the moon, on a monthly basis.  

Musk et al will probably be more comfortable with Sting from The Police’s exhortation that “giant steps are what you take, walking on the moon” (1979) whose video is shot ad hoc at the Kennedy Space Centre where Artemis moonshots are launched from. Stuart Copeland mimes the drum on the hulking body of the Saturn V moon rocket. 

It is all an oddity, a veritable moon age daydream. 

Carl Lee is retired but was a lecturer at The University of Sheffield and Sheffield Hallam University, taught A level Geography for 20 years at Sheffield College, is the author of five books about geography and has a PhD in economic geography. He has been nuts about music since buying his first single in 1973: 10cc’s 'Rubber Bullets' if you were wondering.

Editor comment: I'd probably go for Bruce Hornsby's 'Circus on the Moon' - excellent from the album 'Halcyon Days', plus Mike Oldfield's 'Moonlight Shadow' and Yusuf/Cat Stevens' 'Moonshadow' - Alan

Please let us know what you would pick in the Google Form below or add a comments.

Tuesday, 5 May 2026

May 5: Apollo: Atmospheres and Soundtracks

The Apollo astronauts (and those who came before and after) have enjoyed views of the Earth that very few have seen. We are also waiting for the ARTEMIS mission. It's been a while coming.

The early Apollo missions were very popular as TV spectacles, although over time, there was less interest - Apollo 13 brought the audiences back for a while, but perhaps for the wrong reasons. The Space Shuttle programme also had its moments, but also some disasters.

The Apollo programme has also influenced other musicians. Mike Oldfield's 'Space Movie' album remixed some of this themes from other albums.

Brian Eno composed this classic ambient album.

The music was originally written for a documentary film about the Apollo program, 'For All Mankind', though the film was not released until 1989.

This track 'Under Stars' is one of my favourites off the album:


See other blog posts on the music of Brian Eno, which are connected to the idea of ambient music. Search for his name in the search box.

Saturday, 24 January 2026

Jan 24: Guest blogger Brendan Conway #2: The geography of 'Life On Mars?'

The classic song 'Life On Mars?' by David Bowie was first released on the classic album 'Hunky Dory' in 1971. 

It features piano by Rick Wakeman.

What are the geographical aspects of the song?  

How might Life On Mars? have been inspired by BBC controversy?

Spoiler alert: Life On Mars? isn’t really about Mars! It was actually about escaping from the perceived banality of suburban life to search for other, hopefully more interesting places. 

'Life On Mars?' presents a cynical perspective about such aspiration, with acerbic views on the American Dream ‘It's on America's tortured brow; That Mickey Mouse has grown up a cow’ and the impact of mass tourism on destinations: ‘See the mice in their million hordes; From Ibiza to the Norfolk Broads.’

Why did David Bowie pick on tourism and why these particular places? 

It seems that he was influenced by a high profile BBC television programme of the time called 'Holiday', which was launched in 1969.

David Bowie’s real name was David Jones. 

Born in south London in 1947, he was in the vanguard of the 'baby-boomers', the generation born between 1945 and 1965. This demographic tsunami became a key driver for change in music, fashion and demand for consumer goods and services including tourism. 

The young David Jones was a bit of a trend setter, making his first TV appearance in 1964 at the age of 17 in an interview with Cliff Michelmore who at that time was one of the best-known personalities in the UK. Michelmore anchored the popular BBC current affairs programme 'Tonight' which ran a report about the Society for the Prevention of Cruelty to Long-Haired Men, recently founded by David Jones and a few of his friends.

Less than four years later in 1969, at the height of the Space Race, David Bowie wrote 'Space Oddity'. 

The title of the song was a pun inspired by the 1968 Stanley Kubrick movie 2001: A Space Odyssey and the Apollo 8 mission which took the first human beings around the Moon at Christmas 1968. 

In July 1969 'Space Oddity' was rush-released as a single to coincide with the Apollo 11 mission which took human beings to walk on the Moon for the first time. 

The song gained further profile when it was used by the BBC as background music during their coverage of the key moon landings which were coincidentally anchored by the omnipresent BBC stalwart Cliff Michelmore.

Also in 1969, the BBC launched a lifestyle consumer series called 'Holiday 69' (later shortened to just 'Holiday') on the 2nd of January, providing viewers with an audio-visual respite from the depths of the British winter. 

Yet again, it was anchored by his 1964 interviewer Cliff Michelmore. 

The programme was extremely successful, running for 38 years until 2007, becoming the longest running travel series on UK television, with Michelmore leading the presentation until 1986. Such programmes would regularly attract millions of viewers, at a time when there were only three TV channels to watch in the UK until 1982 and no satellite TV or Internet. 

'Holiday' offered viewers vicarious experiences of tourist destinations which at the time were just becoming attainable as places of escape. As Michelmore reflected later ‘it was a bit of sunshine in the middle of the winter, even though it was in black and white!’. 

More recently, the BBC has courted controversy when presenters express opinions about current affairs, attracting accusations of bias, but such incidents are nothing new. 

The very first Holiday programme attracted international criticism when Cliff Michelmore reported about sewage on beaches in Ibiza and referred to it as 'this septic isle'. 

A diplomatic row with General Franco’s Spain ensued (Cliff Michelmore reflects on the 'Holiday programme'). 

In another programme a few weeks later on 6th February 1969, viewers were invited to find out ‘what it is like to hire a boat on the Norfolk Broads’. (from the BBC's Genome project).

David Bowie would probably have been aware of the Holiday programme and the controversy over the Ibiza coverage. So it’s no coincidence that he chose Ibiza and the Norfolk Broads to reference as places of escape. 

The programme would also have attracted David Bowie's attention because the theme music used was 'The Castle' by the US American psychedelic rock band Love, taken from their 1966 album Da Capo. Love was led by Arthur Lee, who was an influence on Bowie's early work.


Further details about the geographical places linked to Life On Mars? are available in a story map created using ArcGIS Online: 

Life On Mars? The geography of Life On Mars?


Postscript - by AP - via Wikipedia

The original theme tune for the series was Love's "The Castle". Subsequent theme tunes in the mid-1970s included Hugo Montenegro's arrangement of Lalo Schifrin's theme to the 1968 movie 'The Fox', a cover of the Beatles song "Here Comes the Sun", and Part One of Jean Michel Jarre's Equinoxe.

Gordon Giltrap's "Heartsong" was used as a theme tune from 1978 until the end of the 1985 series. 

This is the one I remember the best.



In 1986 it was replaced with "The Holiday Suite" written by Simon May, who also composed the EastEnders theme. This proved unpopular, and was replaced on Holiday '87 by a further Giltrap composition "Breaking Free" which also only lasted one year. For Holiday '88-'91 they used a third Giltrap composition "Holiday Romance".

In 1992 Paul Hardcastle composed a new theme, titled "Voyager". This theme was used throughout the 1990s and 2000s until the programme came to an end after 37 years in 2007.