Of all the vocalists there are several whose tone stands out: Peter Gabriel is instantly recognisable; Kate Bush was unlike anyone else when she appeared on the scene; Aimee Mann of course.
I'm going to go for the voice of Paul Buchanan from 1989's album 'Hats' from The Blue Nile. I've mentioned them several times on the blog already - their name is geographical of course.
The song is called 'Headlights on the Parade'.
According to Buchanan the song's meaning is:
"It's about being alive and therefore lots of things, happy and sad, happen to you simultaneously, so what do you hold on to, really?"
This is a legendary venue which attracted some really big names, despite its location. It lies between Sheringham and Cromer. I passed through West Runton in early January 2026 as it happens, and was back in the area last month. I need to go back to take a picture of the plaque.
The Facebook group has shared a whole range of memories, including the flyers and details of bands that played there.
This one has a good range of bands.
Haydn Brown provided the following detail:
For several years it was a starting point for many British tours by major artists, including The Damned; The Clash; The Commodores; Hot Chocolate; The Jam; Bad Manners; Motorhead; The Pretenders; Saxon and Iron Maiden. During the 1960's, 70's and early 80's, numerous pop groups took over the entertainment programme. Many bands preferred the venue for practicing, due to the exceptionally food acoustics. Although considered by some as perhaps ‘off the beaten track’, it proved an ideal location for groups trying out new material before making their UK tours. On August 19th 1976 the Sex Pistols performed here for about 30 people. Other bands included at different times, the Stranglers, the Jam, the Clash and the Four Tops. The last gig took place in 1983 and only three years later in 1986, the building was demolished, to be replaced by flats named Slade Court which was named after the band ‘Slade’ who had played there twice. Today, the only reminder of the West Runton Pavilion, is a Blue Plaque on the wall of the nearby Village Inn pub, to commemorate its former existence.
John Medd remembers visiting the Pavilion to see Generation X.
Liverpool has gained a national and international reputation for popular music, most recently recognised in its designation as a UNESCO City of Music in 2015.
As
this project showed, in Liverpool the architecture, history, social landscape and culture
combined to shape an urban identity comprising four elements - which could be identified in other cities as well:
local landscapes (the role of music in the city’s everyday life);
global trends (in the development and global networking of provincial and post-industrial cities);
material landscapes (the importance of material culture
in conveying and communicating these narratives, through a combination of places and
things);
lived landscapes (music’s influence on how the city is lived and experienced).
Cohen, S., and R. Kronenburg. 2018. Liverpool’s Musical Landscapes. Swindon: Historic England.
Pat Metheny has released an unexpected digital only single today... I'm seeing him in a few months' time on his latest Side Eye tour, having seen the previous two of these.
Following his touring in 1983, Oldfield relocated to Villars-sur-Ollon, Switzerland for tax purposes and started work on this album. He had also recorded another album in the area.
All the instruments were played by Oldfield, other than the drums, which were from Simon Phillips.
The best track on the album, and one of the best that Mike Oldfield produced is called 'The Lake'.
It's a long instrumental piece, and this is the remixed '1984 Suite' version of the song. It builds wonderfully...
Whenever I listen to this song I am transported to Norway and it's 1984.
I first travelled to Norway with a friend from my student days. It was the summer before the final year of my geography degree and he had made a connection with a student called Yngvild. We ended up staying with the family and then heading off hitch-hiking for two or three weeks - heading north up towards Bergen and beyond...
Hopefully now that Rayburn Tours are offering trips to Norway I might get back there some day.
Sugar have released their third new single after the two they released ahead of their recent UK concerts.
It's a characteristic, guitar-driven short punky blast of less than three minutes...
There’s a thief at the door.
Always looking for more.
Once you get in the feed.
Bob says of the song:
“Living in San Francisco, I have a love/hate relationship with AI. It’s bringing my city back to life, but at what cost to society and the environment? And do we trust the current regime to do the right thing with this new tech? The new song has more snarl, and the lyrics say it all: A touch of dopamine. The steady beat of the drum. Get used to the constant hum of the Lie.”
Warning: one rude word.... which you've doubtless heard before...
As I said on January the 7th, the passing of Neil Peart meant the end of Rush. It's likely that they would have finished anyway as Neil was fed up of touring, but after a few years break he may have been tempted back for a final tour. I'm going to add the final song from their final album: a concept album called 'Clockwork Angels'.
The song is called 'The Garden'.
Here's the studio version.
And here's the live version of the song, with strings...
This was the final song on the final Rush album and it acts as a perfect closure to their career.
I am going to see the tour in 2027 and very much looking forward to seeing Anika Nilles behind the kit, but that will be to see a different band, and not the one that recorded all of Rush's albums.
Always good to have little map 'experiments' / projects like this appearing. Glastonbury's gates opened yesterday.
Glastonbury is big. Sixteen years ago today, I was there... in the heat, working with the Geography Collective in the Green Kids Zone. I've blogged about it before - search the blog for 'Glastonbury'.
This map shows you how big, although from my experience it felt quite a lot larger than it is shown here. I think there are other areas still beyond what is shown here - whether car parking or additional camping and the security zone.
At some point in their life, everyone should sit down and drop the stylus onto a vinyl copy of 'Tubular Bells'.
While listening they should consider various things.
The age that Mike Oldfield was when he composed it.
The nights spent at the Manor working when other bands using the studio had finished for the night.
The endless overdubs which ended up wearing out the tape.
The impact of this album - the first release on Richard Branson's new record label. Its unprecedented success funded the Virgin empire that came after.... for better or worse...
OK, so we are heading to West Yorkshire next to the city of Leeds: home to the football team I have supported for over 50 years - which has not always been easy...
Image: My Leeds Subbuteo team from back in the day - Alan Parkinson, shared on Flickr under CC license.
Leeds had some well-known venues, including the Brudenell Social Club (follow them on Spotify), and the old Duchess of York pub. It still attracts a good cohort of musicians to play there. Bob Mould stopped by the Leeds Irish Centre on the recent Sugar tour that I blogged about a few weeks ago.
One venue I've been to for larger events is Roundhay Park, which has a good sloped amphitheatre like area.
I saw Genesis there in 1987 on a wet day on the Invisible Touch tour - the year later Michael Jackson played there on the 'Bad' tour. Both of those were to over 80 000 people. In 1992, they both came back: Genesis on the 'I can't dance' tour, and Michael Jackson doing the 'Dangerous' tour. Madonna also played there around that time.
A VHS transfer here to YouTube... can't find much better video...
Looking back at the news media around the Genesis concert, it mentioned that Runrig were the support band. I don't remember that at all.
Leeds and Reading festivals still attract very large audiences.
A song that provides motivation perhaps and that you would have on your compilation if you were into running and needed to push through the final kilometre to home...
Perhaps a song that you would put on when starting a task that you didn't want to do.
When my children were younger, this one would motivate us to clean up the house... and tidy stuff away...
World music day or ‘Fête de la Musique’, as it was first known, has its origins in France.
First thought up by Jack Lang and Maurice Fleuret from the French Ministry of culture in 1982, it was a day intended to encourage the mass performance of music. Now, the event has spread all over the world where musicians of all kinds (professional and amateur) play music in public for free.
Here is the official school album - although the day is on a Sunday this year.
The lyrics deal with the subject of the Cold War and the fear of annihilation that existed during that period
"Crazy Train" has been used as the walk-out song for Premier League football club Aston Villa F.C.. Osbourne was a fan of the team, which is based in his hometown of Birmingham. Similarly, the National Football League (NFL)'s New England Patriots also use(d) "Crazy Train" as their entrance song.
Source: Wikipedia
What are your favourite guitar riffs?
Tell me below and I'll do a separate post in the future...
They cover a few plant species, and also some work to control mink and other animals as well.
It is likely that the impact of invasive species on a range of environments will form part of the investigative work of the new specification as it is an example of where humans and nature overlap.
Invasive species can often cause problems for ecosystems, competing with local species or even damaging properties in the case of Japanese knotweed or out competing the natural residents e.g. red squirrels.
Here's perhaps one of the most famous pieces of music about invasive species.
A classic from early Genesis, with Peter Gabriel on vocals.