It is the most eagerly anticipated game perhaps, and also has a huge budget.
Those who are familiar with the game will know that as you play and drive around you can tune into the radio and there is plenty of music to accompany the game. Tangerine Dream have previously provided some of the music for earlier versions of the game - and I have heard some of that performed live.
Pink Floyd have a strong association with Cambridge.
Founding members went to local schools.
This website unpicks some of the locations they are connected with as a sort of walking tour of the city.
Band members Syd Barrett, Roger Waters and David Gilmour were raised in Cambridge, and many of their Cambridge friends, including girlfriends, roadies and album cover designers Storm Thorgerson and ‘Po’ Powell, became part of the Pink Floyd extended creative family. In London they met up with Nick Mason and Rick Wright. But while students, here in Cambridge—they forged the unique Pink Floyd sound against the backdrop of the late ‘60’s counter-culture and succeeding decades.
There are connections with particular places in the city and songs:
King’s College Chapel, which has a lawn in back where Roger Waters said inspired “the lunatic is on the grass“, (from the song Brain Damage) and Pink Floyd played a May Ball gig—Which “... went down quite well. Everyone was pissed,”
David Gilmour went to the Perse School on Hills Road, and back in June 2022, Chris Kington led a tour for the local GA Cambridge Branch where he pointed out Syd Barrett's home - also on Hills Road.
One of the places where they are linked with is a pub called The Flying Pig - just further down the road.
Back in 2022, there were fears that the pub would be demolished.
Images: Alan Parkinson
For a long time there was a plan to try to save the pub. It is now in an incongruous position, dwarfed by the huge redevelopment behind it.
Image: Daily Mail
The final link of course is with the album 'Animals'. More to come on that in December...
Quite an acronym... and one which was important for the promotion of a series of bands.
The new wave of British heavy metal (often abbreviated as NWOBHM) was a nationwide musical movement that began in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of heavy metal bands in the mid-to-late 1970s, as punk rock declined amid the dominance of new wave music.
From Wikipedia.
One band I liked at the time was Saracen, from Matlock in Derbyshire.
They were formed in 1980, but I started hearing them in 1982-3 during my time at Huddersfield Polytechnic when, as I've said before I developed a taste for many of the bands I still listen to a lot today.
The album I listened to was 'Heroes, Saints and Fools'.
They released a number of other albums, both of which had some very good moments... including others I have mentioned including one based on the Knights Templar.
What are your memories of bands from this NWOBHM era?
I have been thinking about the future and how we might respond to it. We are sliding into a period of transition like no other, most likely triggered in three waves; AI, quantum computing and the brain computer interface. Artists have a role to look into the mists and, when they catch sight of something, to hold up a mirror.
These are my lumpy bits – i/o: the inside has a new way out and o\i: the outside has a new way in.
We are not, and have never been, the exclusively self-determining, independent beings that have been given the run of the world. We are something else, a part of nature, a part of everything and feeling a connection, shaking our booty and giving and receiving some love can help us find our place – and put a big smile on our faces.
Some of these songs are going to form part of the brain project that I’ve been exploring for a number of years, and some just make me feel happy. I hope you like them.
Long standing band members, guitarist David Rhodes, bassist Tony Levin and drummer Manu Katché feature on many of the songs, supplemented by other members of the i/o touring band Richard Evans,
Josh Shpak and Don E and Real World staffers Faye Dolle and Katie May. The New Blood Orchestra, led by John Metcalfe are also heard, as are the Soweto Gospel Choir and Swedish all-male choir Oprhei Drängar.
Other notable contributions come in the shape of Mike Elizondo (who co-produced A Hard Lesson), Brian Eno, guitarists Leo Nocentelli and Tony Berg, drummer and percussionist Abe Rounds, pianist Tom Cawley, trumpeter Paolo Fresu, cellist Linnea Olsson and multi-instrumentalist Evan Smith.
Once again Peter’s daughter Melanie provides vocal support.
I had it on my iPhone some years ago when it first came out and also on an iPad.
The app costs £3.99 and can be purchased on the app store.
A newer version of the app is also now available. This allows background play, which means it will carry on generating music when not opened. There is also the option to stream the music via Airplay to a device.
Thanks to Kenneth Field for the tipoff to the fact that it is International Music Day today.
The day has been celebrated since 1975 at the initiative of the world-renowned violinist and humanist Lord Yehudi Menuhin, then President of the International Music Council under UNESCO.
The decision was made in 1973 at the Council’s General Assembly in Lausanne, with the aim of promoting peace, cultural exchange, and mutual respect among nations through the universal language of music.
Kenneth has been creating a map a day all year so far, using AI to create them.
I hadn't ever heard of this place in Poland, but one of my favourite live Tangerine Dream concert recordings, which I have in my Bandcamp account, was recorded here.
I had a look for it on the map.
It's a city in Poland.
Check out the album... you can find tracks on YouTube, or look at the Bandcamp account, where you can listen to it, and pay for a permanent high quality download - as I did.
Iron-clad feather-feet pounding the dust An October's day, towards evening Sweat embossed veins standing proud to the plough Salt on a deep chest seasoning Last of the line at an honest day's toil Turning the deep sod under Flint at the fetlock, chasing the bone Flies at the nostrils plunder.
The Suffolk, the Clydesdale, the Percheron vie with the Shire on his feathers floating Hauling soft timber into the dusk to bed on a warm straw coating.
Heavy Horses, move the land under me Behind the plough gliding --- slipping and sliding free Now you're down to the few And there's no work to do The tractor's on its way.
Bristol is a city which has a lot of musical connections. It's also connected with Aardman animations of course.
It's a city that I've been visiting each year for some time as we break the journey on the way down to Devon. We stay in the same hotel and always have a good time there. I've also been to the University quite a few times over the years to lead sessions for PGCE colleagues and others.
There is a Rough Trade records shop in the city which is a focal point for many.
Just outside of the city is Portishead, where I have also stayed. It's a nice marina area, and there is a band which took their name from it.
Music is also represented in the street art which can be found in certain districts of the city.
Here's one of Portishead's more famous tracks: Glory Box.
Gary Numan shared a picture on his social media of him sat on some steps, one of which had his name on them, along with lots of other musicians and bands' names on the other steps.
I was intrigued at where this might be, and discovered that it is at the fairly newly redeveloped venue called
I visited this summer and took my own pictures of some of the groups featured.
Images: Street Art and Portishead Marina Alan Parkinson - shared on Flickr under CC license.
As we approach the three-quarter mark on the blog, here's a diagram that was shared by Geomorphology Rules on Facebook of a soil pyramid complete with punning soil types....
Source unclear...
If you recognise where this is from please let me know...
I particularly like 'We silt this City'....
Also let me know of your own ideas for further soil related song puns.
I've been following Public Service Broadcasting for a while now. They usually have interesting merchandise and for their recent 'Race for Space' 10+1 anniversary they teamed up with the Marloe watch company to make a limited edition run of watches costing £400.
Peter Gabriel has been sharing videos all year - each new moon - as a new song is released from his O/i project... following his 2013 project to do the same for i/O.
When I was initially developing the idea of the blog, I did some searches for academic papers on a musical / geographical theme. I came across a paper on the music of Joy Division (the precursor to New Order - who have also featured on the blog).
This is perhaps their most famous song.
It is from an album called 'Unknown Pleasures'. This has a very well known album cover.
The front cover is also used by Manchester Universtiy's Geography Department for their t-shirts.
One of them was worn by Paul Whitehouse in an episode of 'Gone Fishing'.
Quite a few of the bands that feature in this blog are ones that I was inspired to try having read about them in this magazine.
Remember that in the days before the internet, you discovered what was happening by reading NME, or Sounds, or other music magazines. Your choice of magazine said something about you.
They were involved with another magazine, and I have already posted a musical memory from Brendan Conway, which is worth repeating here:
In early 1985, I was invited to help make some ‘youth’ programmes for County Sound, a Surrey radio station. An arrangement was made for me to interview Mark Ellen who at the time was editor of Smash Hits and a regular presenter of The Old Grey Whistle Test. Later that year he was a co-presented for the Live Aid TV broadcast. I went up to the Smash Hits head office in Carnaby Street where Mark was kind enough to spend an hour of his day talking to me and answering my esoteric questions, all recorded for one of the programmes we made later. While in his office another of the journalists brought me a cup of tea and joined the interview for a few minutes. It was Neil Tennant. Unbeknown to me at the time, he was just about to leave Smash Hits because he had just secured a recording contract with Chris Lowe as The Pet Shop Boys.
I had lot of issues of this magazine, and it was thanks to Q that I discovered 'Til Tuesday and Aimee Mann, for example.
At the time, taking a gamble on a new band could be a costly mistake.
Any other memories of Q magazine and bands you discovered through its pages?